Word: keye
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Dates: during 1950-1959
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...only at Bohlen but at Herter, Press Secretary Jim Hagerty worked fast to get the record straightened out. The President, in fact, had known and admired Chip Bohlen for years, had stood of Joe McCarthy and other powerful Senate Republicans (who grumbled that Russian-speaking Bohlen was a key figure at Yalta) to get him nominated in 1953 to Moscow. At week's end, after he simmered down, Ike by cable fired off statements of confidence to Bohlen in Manila. Chances were good that personable Chip Bohlen would eventually get his Washington job despite new grumbling from Republicans...
...like. Though not ready for action when the Kennedy-Ervin bill passed the Senate, Zagri made his hefty presence (6 ft., 216 lbs.) felt soon after the bill landed last April in the House Education and Labor Committee. By the time the committee got around last week to key votes, sore-boned members realized that Zagri had adapted for the lobbying craft the bullyboy methods that Teamsters made famous in trade unionism...
...challenges in the entire literature. Of the two chorale-preludes, Liebster Jesu, wir sind hier presented a constant parade of startling dissonances. Later periods were represented by Mozart's charming, if second-drawer, Sonata No. 15 in C; Brahms' rich-textured Fugue in A Flat Minor (a most rare key); and Hermann Schroeder's chorale-prelude Schoenster Herr Jesu...
Socialist Guy Mollet, once Premier of France for 16 months, a record for the Fourth Republic, was one of the key men in paving the way for General de Gaulle's peaceful return to power. But in the elections that followed, his Socialists-a party of fonctionnaires rather than laborers, which held more seats in the National Assembly than any party except the Communists-were roundly beaten by a public dissatisfied with all the old parties...
...turn-of-the-century Hamburg mansion to show for it all-which makes it hard to keep the sound of loneliness authentic in his verbeulte Stimme (beat-up voice). Still, says he, "I'll go right on trying to sing natural-and to stay on key...