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Word: keyed (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Writers anxious to improve the quality of their prose and arguments should retype major drafts from a print-out. What? Is the Happy Hacker denouncing the key virtue of a word (once-its-there-you-never-have-to-type-it-again) processor? Not really. Rather, the Hacker is suggesting that by occasionally retyping a paper from scratch, the writer is forced to reconsider every word and sentence in a much more active way than simply by dragging a cursor across...

Author: By Evan O. Grossman, | Title: Literary Hacker Strikes: Writing With a PC | 12/10/1986 | See Source »

...result of a snail-like pace and the desire to lessen disagreements, the council has deferred important decisions on key issues--like rent control and regulating commercial growth--until next year, just when campaign rhetoric begins anew...

Author: By Gawain Kripke, | Title: Council Ending Lackadaisical Year | 12/9/1986 | See Source »

...Key Committees...

Author: By Martha A. Bridegam, | Title: KSG Hosts Orientation for Congressional Frosh | 12/9/1986 | See Source »

Jean-Philippe Lachenaud, director of architecture for the Ministry of the Environment, was put in charge of the plans. Michel Laclotte, the Louvre's head curator of painting -- and, as such, the key influence in the "Louvre system," which controls the distribution of government-owned works of art throughout France -- became head curator of Orsay as well. "I had to wear two hats," Laclotte recalls, "and sometimes it gave me a headache." For the Louvre is by nature a monopoly, with the gravitational pull of a black hole. So many of the canonical masterpieces of the 19th century -- Delacroix...

Author: /time Magazine | Title: Art: Out of a Grand Ruin, a Great Museum | 12/8/1986 | See Source »

...glimpses vistas of the original building. Laloux's space is "quoted" by breaches, angles, slippages, unexpected openings; no room is wholly enclosed, yet the effect is never choppy or distracting. Its essential medium always is light. Orsay is theatrical only at one point, where it should be: the key exhibits of its architectural section, at the far end of the nave, are two astounding models of the Paris Opera by Richard Peduzzi. One is a transverse section -- the ultimate doll's house, with every balustrade, fresco, gilded caryatid and square of marble inlay faithfully reproduced -- and the other...

Author: /time Magazine | Title: Art: Out of a Grand Ruin, a Great Museum | 12/8/1986 | See Source »

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