Word: keying
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Dates: during 1970-1979
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...After convincing the U.N. that it should withdraw its force from the Sinai, Egypt blockades the Gulf of Aqaba, closing a key Israeli shipping route, and moves its troops to the Israeli border...
...other a dismal failure. The two shows in question were Ellington at Eight on the Loeb mainstage, and Out of the Reach of Children at Kirkland House: there were many flaws of an obvious kind in both shows--the rare ability of the Ellington singers to sing just off-key and just too quiet to be heard; the fact that the music of Out of the Reach of Children was not so much derivative as rehashed--yet there were more important reasons why Out of the Reach of Children was in its own terms a great show, and why Ellington...
Reflecting the ideological pressure of Carter's anti-Soviet "human rights" crusade, not only liberals but self-proclaimed "radicals" equate China's invasion of Vietnam with Vietnam's military conflict with Cambodia. For liberals and pacifists all invasions are equal. Not so for Marxists What is key for usin an analysis of the class forces involved. We are partisans of the proletariat and defend their interests against those of the bourgeoisie. As Trotskyists, we understand that what is at the root of the conflict between Vietnam and Cambodia is the rival nationalism inherent in all Stalinist bureaucracies. The Stalinist "theory...
...fact formed. Seven Student Assembly members (including Fried himself) went to the conference, and the Assembly contributed $200. RUS contributed $200 and its incoming secretary and outgoing president attended the conference. Three ERG members were involved. Many other organizations (AAA, BSA, La Raza, Freshman Task Force, CHUL, Crimson Key, E4A to name a few) were contacted and contributed members and/or information. Actually, Harvard and the other schools are in a very good position to "implement the conference's policies...
...Three Sisters is long--it runs about three hours--and Sellars' habit of freezing the scene at key moments doesn't speed it up any. But the Chopin behind it all transports the audience into the contemplative melancholy of the play itself--leaving audience, actors and playwright running at the same speed. The tempo lags only in the final act. With bare stage, static blocking and house lights turned up, the staging is faithful to Chekhov's sense of desolation, but also somewhat trying to an audience at the end of a three-hour haul...