Word: keys
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Dates: during 1970-1979
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...Crimson Key Society...
...Crimson Key...
Maybe Despair never takes off because Stoppard and Fassbinder differ from Nabokov in a key area: both are extraordinarily fast workers. ("Rainer Werner Fassbinder is thirty-one" the Welles Theater's notes tell us, "and his film credits already outnumber his years"). Once they have this great idea, they don't take the time to figure out how to use it. Herman tells us that he's a movie actor, but a movie actor isn't autonomous. He should be a director, attempting not only to control how we see him, but how we see everything. Often we see Herman...
...prim to pull us in the way someone like Alan Bates might have. Or maybe Fassbinder and Stoppard work so hard at distancing us from him physically, framing him, blocking him, giving us a sense of deliberate camera placement, that they forget about bringing him closer at key emotional moments, or building any kind of suspense or anticipation...
...defensive line, while hardly a set unit since the season opener, has also shown some promise with key back-ups moving in. End Jim DeBello racked up six tackles Saturday and tackle Chuck Durst has really come on--Durst led the Crimson in tackles Saturday with eight...