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Word: khaldei (lookup in dictionary) (lookup stats)
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...Khaldei evokes some of the minutiae of that epic clash. In Berlin an old woman with a cane is dwarfed in a corner of the picture by the mountainous ruins around her. A blind man sits amidst the rubble, unseeing of the immensity of the destruction all around. In the wooden city of Murmansk, back in 1941, razed in a single day by 350,000 incendiary bombs, a solitary babushka, carrying a trunk of her belongings past the forest of upright stilts and posts that are the city's charred remains, asks Khaldei, "Aren't you ashamed of yourself...

Author: /time Magazine | Title: Remembering a Red Flag Day | 5/23/2008 | See Source »

...Capa's work is grittier and more spontaneous, his D-Day shots unmatchable. But to some minds Khaldei - although unschooled and dismissive of any claim to being an "artist" - may have had the aesthetic edge, with his intuitive sense of theatrical composition. It turns the silhouette of a patrol setting off in the cold midnight sun of the Barents Sea into a grim ballet of war. The show's co-curator, Ernst Volland, says the photographer's aesthetic instincts may have been formed by Russian avant-garde revolutionary art of the 1920s - the paintings of Rodchenko and films of Vertov...

Author: /time Magazine | Title: Remembering a Red Flag Day | 5/23/2008 | See Source »

...happened, Khaldei and Capa became good friends - or, as friendly as the Cold War would allow. They covered the Potsdam Conference and the Nuremberg Trials together, for instance, and photographed one another there. Both men were hard-drinking bon vivants and lady killers. Capa wound up in Hollywood with Ingrid Bergman in his thrall, then went back to war and was killed in French Indochina in 1954. Khaldei wound up in a one-room flat on Moscow's outskirts on a $80 monthly pension, and died...

Author: /time Magazine | Title: Remembering a Red Flag Day | 5/23/2008 | See Source »

...lengthy magazine assignment about the Soviet Union. At the close of their visit, the state-security police insisted on developing - and examining - Capa's film. He refused. But what to do? No acquiescence, no pictures. "Okay," Capa said finally, "but on one condition: that my friend Yevgeny Khaldei do the developing. He's the only one I'll trust." Khaldei happily complied, under watchful state-security eyes...

Author: /time Magazine | Title: Remembering a Red Flag Day | 5/23/2008 | See Source »

...older Berliners, the show is a comforting reminder of just how far their city has traveled. "Just think that the new American Embassy has just been completed there now - the last piece of the reconstruction," remarked a 50-year-old businessman examining a Khaldei wide-angle panorama of Soviet tanks in front of the Brandenburg Gate. "We're in a completely new time. We've left behind two things: We've left behind the Second World War. And then we've left behind the Soviet system in the East...

Author: /time Magazine | Title: Remembering a Red Flag Day | 5/23/2008 | See Source »

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