Word: khrushchev
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Dates: during 1960-1969
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Seven months ago, Nikita Khrushchev was bounced as boss of the Soviet Union for such character flaws as "phrasemongering." There hasn't been a phrase mongered or a shoe banged within the Kremlin's henna walls since. Where flamboyant Nikita rarely made an unpublicized move, his successors, Leonid Brezhnev and Aleksei Kosygin, go about their business so self-effacingly that days go by without the slightest mention of them in the Soviet press...
Typical was the disclosure that last year's harvest of bread grains was a huge 151.5 million tons compared with 1963's mere 107.5 million. The rustic Khrushchev would have ballyhooed news like that from the golden onion domes. The quiet men of the new regime buried it in a handbook of Soviet statistics that simply appeared-six months later-in Moscow book stores. But if the style in Moscow is different, the substance largely is not. With less flair but more efficiency and cautious consistency, the new masters of Moscow have continued Khrushchev's interdependent program...
Like the third little pig of legend, Russia's new leadership recognizes the wisdom of building in brick. Nikita Khrushchev for years had huffed and puffed in favor of prefabricated concrete slabs, relegating the lowly brick to minor status in the nation's crash housing program. But last week, when the new economic plans of Premier Aleksei Kosygin and Party Boss Leonid Brezhnev were disclosed, the brick was back in the planners' priorities. That alone would not keep the wolf from the door, but some of the other decisions announced would certainly help...
...government. On the industrial front, Kosygin called for more consumer goods, announced that the next Five Year Plan would provide higher wages for factory workers, who currently earn an average $120 a month. It was the first indication of a break in the long wage freeze imposed by Khrushchev...
...meanwhile, New York's Phoenix Theater, under the leadership of idealistic Producers T. Edward Hambleton and Norris Houghton, had been putting on everything from Oh Dad, Poor Dad ... to the Western première of Russia's The Dragon, a banned-at-home critique of Stalin and Khrushchev. In the way of the worthy, the Phoenix had run on a healthy yearly deficit. Joining with the APA seemed a natural evolution. The Phoenix yearned for a permanent repertory group-their own efforts to establish one having failed-so they could eliminate the traumas of one-shot productions, plan...