Word: kid
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...that Hollywood is still embarrassed by the very idea of Jerry Lewis, let alone his presence. To the graybeards at the Academy, Jer is not only the demolisher of Oscar's gravitas but the unkillable specter of his first eminence, in the late '40s and '50s, as the goony kid prancing around the cool crooner. (One producer cruelly called Martin and Lewis "the organ grinder and the monkey"). He is the comic whose genius, or even the robust grosses of his movies, nobody in Hollywood took seriously. And because he was championed as an auteur in the pages of Cahiers...
...star" in Hollywood. What Lewis saw in Martin, when they first teamed up in 1946, was something unique: a sexpot straight man, a perfect complement to Jer's goony girly-boy. Dean was Lewis's public enabler; by acting as the imperturbable wall against which the kid's maniacal energy kept bouncing, he translated Jer to the mainstream audience...
...Some of this got into the 16 movies they made together in eight years. At their infrequent best, they had the sharpest mixture of foolery and character of all movie comedy teams. In the 1951 Sailor Beware, Jer has been suckered into boxing a much bigger guy. Dean, the kid's trainer, dispenses pre-fight advice (with many sly slaps to the gut and face) while Jer does such an acute impersonation of a punch-drunk pugilist that the tough guy and his team are scared away. In their seemingly artless but perfectly timed badinage, the two are slick, robust...
...late '60s, Lewis's film popularity waned. In his 40s, he had not found a maturer version of the crazy kid audiences had once loved. The low point came in 1972, when he starred in and directed The Day the Clown Cried, a sort of Bozo at Auschwitz drama that was never released and remains a very tantalizing lost film. Comedian Harry Shearer - whose report on the 1976 Telethon is one of the finest pieces written on Lewis, and who may have seen the movie - described it as "the Holocaust on black velvet." In what must be another painful twist...
...needs to continue focusing on his play, especially with upcoming games against St. Lawrence and Clarkson this weekend.“Now that I’m in the net I need to keep working,” he said To Carroll, this season is not about his comeback kid story, but rather the comeback story of the team. “It’s great to finally play but I wouldn’t put it as me being a Cinderella story. Hopefully [our winning streak] continues until playoffs and the rest of this season...