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Word: kidded (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...time when students nerves are on the ragged edge, when Cambridge town reminds one of the fiery furnace of Biblical fame, and when the fate of a course or a career hangs in the balance of a short three hours, it seems obvious that the college officials must use kid gloves in handling the undergraduates, if the best results in the examinations are to be obtained. And kid gloves have not been much in evidence in the last few days...

Author: NO WRITER ATTRIBUTED | Title: POLICE THE POLICE | 6/7/1937 | See Source »

...Kid Galahad (Warner). Prizefight pictures, once a staple product of the cinema industry, have been out of fashion since The Prizefighter and the Lady. First of its sort since the resounding failure of that venture in 1933. Kid Galahad, adapted from a realistic Saturday Evening Post story by Francis Wallace, improves on the old formula by concerning itself less with the ring prowess of its hero, Ward Guisenberry (Wayne Morris) than with the grimy background of the fight industry as exemplified by his manager, Nick Donati (Edward G. Robinson). Nicknamed Kid Galahad when, as an unsophisticated bellhop, he knocks...

Author: /time Magazine | Title: Cinema, May 31, 1937 | 5/31/1937 | See Source »

Principal virtue of Kid Galahad is a verisimilitude which is not confined to Wayne Morris' ring appearances, and these are among the most realistic scenes of the sort yet portrayed on the screen. The picture exhibits pugilism's backstage activities in bars, night clubs and areaways with such faithfulness that an audience of sportswriters, managers and boxing officials invited to a Manhattan preview last week amused themselves by trying to identify the characters. Said Madison Square Garden's jaunty Fight-Promoter Jimmy Johnston, who is currently embroiled with the New York State Athletic Commission, when Nick Donati...

Author: /time Magazine | Title: Cinema, May 31, 1937 | 5/31/1937 | See Source »

...realism of Kid Galahad was achieved not by hiring a real fighter to perform in it, as Max Baer did in The Prizefighter and the Lady, but by giving a course in pugilism to the unknown young Los Angeles actor who had been picked for the title role. Handsome Wayne Morris, 23, whose athletic activities at Los Angeles Junior College (see p. 44) had been confined to football, basketball and fencing, trained for a month before shooting started. In the picture, his fight for the heavyweight championship was far more strenuous than most real heavyweight contests. It lasted a week...

Author: /time Magazine | Title: Cinema, May 31, 1937 | 5/31/1937 | See Source »

With all the vigor of a Roy Howard or Robert McCormick, Associate Editor Benjamin ("The Coast Kid") Benson of the Hobo News indignantly declared that things had come to a pretty pass when a journalist could not sell his own paper on the sidewalks of New York. Ready to back his editor to the limit of his resources, the News's Publisher Patrick Bernard ("The Roaming Dreamer") Mulkern and his associates furnished $10 bail when the judge refused to see the case in its broader aspects, issued a ringing statement...

Author: /time Magazine | Title: The Press: For Hoboes | 5/17/1937 | See Source »

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