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...apparent bid to remedy the shortage of shrill outrage in this country, everybody has suddenly decided to get mad at actresses for smoking. At a press conference in Cannes, NICOLE KIDMAN bummed a cigarette from co-star Stellan Skarsgaard and lit up, prompting criticism from antismoking groups. Meanwhile, Fox 5 News in New York City "caught" BRITNEY SPEARS smoking at a Manhattan club; a group called Smoke Free Movies ran a full-page ad in the New York Times screeching at JULIA ROBERTS to stop smoking onscreen; and earlier this month there was a kerfuffle when snapshots of a topless...

Author: /time Magazine | Title: People: Jun. 2, 2003 | 6/2/2003 | See Source »

...their minds on apocalypse: in the Palme d'Or winner, Gus Van Sant's Elephant, an ordinary day in an Oregon high school erupts into massacre, Columbine-style. In Lars von Trier's Dogville, which had all the early buzz but left without any prizes, a beautiful stranger (Nicole Kidman) takes a load of abuse in a Colorado town, then, like an Old Testament God in an I'm-sick-of-Sodom mood, has everyone gunned down. Brazilian director Hector Babenco ended his Carandiru with the slaughter of innocents in a S?o Paulo jail, and Austrian Michael Haneke depicted...

Author: /time Magazine | Title: Reel and Real | 6/2/2003 | See Source »

...jury president Patrice Chéreau) presenting the award to an openly homosexual American director (Van Sant). But Chéreau was just one of nine jury members, all with their own wills and constituencies. If Dogville had won, theorists might have seen sinister connections between its star, Nicole Kidman, and jury member Meg Ryan, who stars later this year in the Kidman-produced In the Cut. Best Goofy Diversion from a Dreadful Slate of Films: The mystery of the purloined penis. An American indie movie, Vincent Gallo's stupefyingly inept The Brown Bunny, let loose such a torrent...

Author: /time Magazine | Title: It's a Lovely Day in Cannes And Life Is Rotten | 6/1/2003 | See Source »

...HOURS. This adaptation of Michael Cunningham’s Pulitzer-winning novel is unapologetically Oscar bait, backed by a triumvirate of A-list actresses (Meryl Streep, Nicole Kidman, Julianne Moore). Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours’ greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITER | Title: LISTINGS -- April 11 to 17, 2003 | 4/11/2003 | See Source »

...HOURS. This adaptation of Michael Cunningham’s Pulitzer-winning novel is unapologetically Oscar bait, backed by a triumvirate of A-list actresses (Meryl Streep, Nicole Kidman, Julianne Moore). Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours’ greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged...

Author: NO WRITER ATTRIBUTED | Title: Listings, April 4-10 | 4/4/2003 | See Source »

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