Word: kiefer
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DIRECTOR Ernest Thompson admits that his new film 1969 is somewhat autobiographical. Thompson says he considers himself to be "more the Kiefer Sutherland character." However, Thompson, who also wrote the screenplay, says that his life isn't the only inspiration for the film. "It's only biographical to a point," he adds. Unlike the film's protagonist, Thompson says he did not break into the county office to steal his draft papers, though he did drive across the country in a leaf-painted bus, seeing the world and "trying to find peace...
...paint and broken crockery behind them in their progress toward the art centers of the world. The dull percussion of beaten chests went on for around five years. Then a dying fall. And who lasted? Not many, and not always the ones who were expected to. In Germany, Anselm Kiefer; in America, Susan Rothenberg; and in England, Auerbach and Kossoff...
...Whatever hopes a gaffer might have that the likes of Emilio Estevez, Kiefer Sutherland, Charlie Sheen and Lou Diamond Phillips (an actor who curiously combines sweetness and menace and may have the brightest future of them all) could reinvigorate the moribund western form are quickly blotted out by the cloud of ineptitude raised by Young Guns. Profit, yes. The fool thing took in more than $19 million in its first two weeks of release...
...installation, Unlessness, 1985-88, by Felix Droese, 38. To judge from his materials, which include wooden beams salvaged from warehouses and bridges, oxidized metal, tar paper, dusty broken glass and spindly watercolor drawings, Droese is under the spell of Joseph Beuys and, to some degree, Beuys' former student Anselm Kiefer. He draws with scissors, creating silhouette cutouts (a favorite form of German folk art) on an enormous scale. They make all manner of references to pacifism, to imprisonment and the gallows, to shadow puppetry and children's drawings, and aspire toward a vividly German kind of paranoid sublimity...
While Fox proves exceptional in his aspiring-writer persona, the other performances vary. Vacuous Phoebe Cates proves perfectly adequate to play vacuous Amanda, but Kiefer Sutherland is too awful to be believable as the awful Allagash. In the midst of all these city slickers. Tracy Pollan is a preppie breath of fresh air as a Princeton graduate student with whom Jamie spends a rare drug-free evening. Otherwise, it will come as no surprise that Oscar winning actress Dianne Wiest is competent as Jamie's beloved, bedridden mother, and Swoosie Kurtz is decent as what appears to be the only...