Word: kienholz
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Dates: during 1980-1989
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...Emotionally, the picture comes from outer space. Instead of seducing the audience, the characters are picture-book flat. Only the images are deep and dense. The friendly loggers of Lumberton wave at the camera; Frank screams an obscenity and poof! disappears; a corpse is bound and bowed like a Kienholz sculpture; the climactic gun battle takes just a few shorthand strokes. The acting styles collide fiercely too. MacLachlan and Dern have an innocents-in-hell sweetness; Stockwell does a preening Percy Dovetonsils number; Rossellini is a madwoman with all stops out; Hopper tops her, with maybe the vilest sadistic creep...
...Chicago Artist Luis Jimenez's pastel study for his sculpture The American Dream shows a car, as Gerald Silk describes it in the museum publication, "ravishing a voluptuous nude female; breasts rhyme visually with hubcaps and headlights, hair with fenders, belly and buttocks with hood and trunk." Edward Kienholz's sculpture Back Seat Dodge '38 shows a truncated car, its front seat removed. In the back, a chicken-wire man and plaster woman are wrapped in beer bottles and each other. The license plate reads C692, EVERYWHERE...