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...Chicago Opera last week, Kiepura was scheduled to sing opposite another Carmen: sloe-eyed Contralto Coe Glade. In rehearsal, Kiepura carefully pulled his punches. Annoyed, Contralto Glade avowed that she was no sissy and could take anything Contralto Swarthout could, and maybe a little more. "Put that in writing," demanded Kiepura. Contralto Glade promptly wrote: "You may consider this your release of any criticism on my part for any physical damage I may receive tonight as the result of your usually vigorous and dynamic portrayal of Don José. The public does not want nor does it expect a polite...

Author: /time Magazine | Title: Music: Beat Me, Daddy! | 12/21/1942 | See Source »

...actor, Polish Tenor Jan Kiepura does not know his own strength. Last summer in an outdoor performance of Carmen at Chicago's Soldier Field, vigorous Kiepura acted so hard in the third act quarrel scene that he knocked handsome Contralto Gladys Swarthout cold. That gave somebody's pressagent an idea...

Author: /time Magazine | Title: Music: Beat Me, Daddy! | 12/21/1942 | See Source »

...charity, opera's Tenor Jan Kiepura, Contralto Coe Glade, Basso Douglas Beattie pulled Salvation Army caps down over their identities, stood on a busy Chicago street corner for ten minutes and gave out with song. (Kiepura hummed in somewhat uncharitable economy of his voice.) The melody was golden, but the take was only $2. "It wasn't bad," said Beattie afterwards, "considering the fact that people walking by on the street are intent on other things...

Author: /time Magazine | Title: People: People, Dec. 14, 1942 | 12/14/1942 | See Source »

...perils of opera singing struck again: in an outdoor production of Carmen at Chicago's Soldier Field, Tenor Jan Kiepura spurned Mezzo-Soprano Gladys Swarthout so thoroughly that he knocked her cold against the stage floor. Carried off and revived, she finished the show with a banged-up forehead...

Author: /time Magazine | Title: People: People, Aug. 17, 1942 | 8/17/1942 | See Source »

...Their score is agreeable enough, with a few good swinging tunes like Disgustingly Rich and How's Your Health. But it's their slimmest job in a number of years. Making her first U. S. appearance in musicomedy, Hungarian Actress Marta Eggert (wife of Polish Tenor Jan Kiepura) is pleasing but not outstanding; returning to Broadway after seven years in Hollywood, Comic Jack Haley is amusing but not uproarious. Biggest thing in the show is a trained seal named Sharkey. Unfortunately, he is provided with the smallest part...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Apr. 15, 1940 | 4/15/1940 | See Source »

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