Word: kierkegaard
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Dates: during 1960-1969
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Critics of two cultures have pronounced Kafka's novels both "pre-fascist" and "proto-Communist" Freudians have found in them classical symptoms of angst; theologians have seen a cold and brilliant statement of Kierkegaard's "either/or" maxim and Karl Earth's "theology of crisis.'' And like Freud's, his name has become an easy tag, employed by essayists and parlor annotators: Kafkaesque now suggests the small man confronted by a high and nameless menace, the humble man, anxious to cause no trouble, who finds that his heart has withered, the defeated man who wanders...
Hoping to expand the seminar program next spring, Mumma reports that Yale instituted a similar program last year and induced over 200 students to enroll. Mumma points to the value of such discussions by relating a statement of Kierkegaard, who once said that if a man were to mention God or human destiny at a formal dinner, the guests would look at him as if he were biting his way through the table. Says Mumma: "Let's start on that table...
Ostroff's touch is also lyrical ("I see your several faces, sculptured, each/An agony too pale for flesh to bear"), occasionally dramatic, now and then humorous. In Sören-Regina, based on Sören Kierkegaard's love for Regine Olsen, whose girl-child beauty haunted him all his life, he combines all his various talents in his wisest answer to the persisting theme of thought v. beauty, mind v. soul: I write, he said. Too stupid to fly, Too impure to do real magic, I, To work the transformation in a wink, Must painfully and tediously...
...those Brattle patrons who saw his delightful Smiles of a Summer Night. And just as that earlier, lighter master work examined the forms and varieties of eros, so The Seventh Seal probes the modes and species of fides. Every form of Christian faith seems to be present here--what Kierkegaard prayed for and what made Nietzsche gnash his teeth. Gunner Bjorstrand as the jaded, worldly squire voices a despairing stoic atheism that sounds perhaps too contemporary for the middle of the fourteenth century. Nils Poppe as the peasant Jof, on the other hand, accepts his visions of the Virgin...
...phenomenology holds in common with linguistic philosophy an analysis of meaning, it shares with existentialism the theory that our acts determine, or constitute, our ego. "This same element of ego-constitution recurs in all the existentialists," Follesdal said, "although for Kierkegaard, the ego-determining effects of our acts appear to be more abiding than for Husserl; for Sartre, they appear to be less abiding...