Search Details

Word: kiesler (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...dome owner, taking his family on vacation, can save rent on his units by phoning Fuller and having him remove the bathroom, etc., until the family returns. ¶The Endless House, an ellipse-shaped model somewhat resembling a large, smooth stone, is the work of Vienna-born Frederick Kiesler. Designer Kiesler calls it the Endless House because its structure is "continuous": the floor curves smoothly into the walls, which become the ceiling, then the walls again. Ideally, the construction would be reinforced concrete, but it can be made of wood as well. Apart from a study and two mezzanines...

Author: /time Magazine | Title: Art: Beyond the Horizon | 9/15/1952 | See Source »

Fritz & Hedy. Fritz Mandl was the scion of Austria's pre-Anschluss Hirtenberg Arms factory. In Vienna of the 1920's he acquired notoriety as a young viveur who gambled for high stakes, and kept fancy apartments. His grande affaire was Second Wife Hedy Kiesler (Lamarr) of Ecstasy fame...

Author: /time Magazine | Title: Latin America: Double Cross? | 4/16/1945 | See Source »

Married. Hedy Lamarr (Hedwig Kiesler), 28; and John Loder, 45, British-born actor; each for the third time; same day he divorced his second wife; in Beverly Hills, Calif. The Vienna-born cinemactress' first two ecstasies were Austrian Munitions-Maker Fritz Mandl and American Scenarist Gene Markey...

Author: /time Magazine | Title: Milestones, Jun. 7, 1943 | 6/7/1943 | See Source »

This installation is the creation of diminutive, Austrian-born Scenic Designer Frederick J. Kiesler, director of the laboratory of the School of Architecture at Columbia University. Says he, making everything plain: "We, the inheritors of chaos, must be the architects of a new unity...

Author: /time Magazine | Title: Art: Inheritors of Chaos | 11/2/1942 | See Source »

...Moko (French Production; Arthur Mayer and Joseph Burstyn release) arrived in the U. S. following its tail. Produced during the heyday of the French cinema four years ago, it sired a Hollywood duplicate, Algiers, which finally wakened cinemaddicts to further charms of Hedy Lamarr, who, as Hedy Kiesler, had audiences gulping at her nude prancing and purple passion in the foreign-made Ecstasy...

Author: /time Magazine | Title: Cinema, Also Showing Mar. 10, 1941 | 3/10/1941 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next