Word: kiley
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Okay, so the offerings aren't new. You can go see Richard Kiley dragging poor Don Quixote out of the closet one more time in Man of La Mancha, which will be at the Music Hall. He was great in 1966, and the play really is a winner--if you've never seen it before. But remember, you'll have to fork out $6.50 just to get in, and the good seats go for an unbelievable $22.50. And Kiley doesn't do the Saturday matinee...
...final event of the afternoon, an all-Yardling freestyle relay of Mack, Ashwood, Dan Kiley, and Hackett ripped through the water in 3:08.85 to waste both Yale and a crew of upperclassmen teammates. More satisfying than Mack's strong leadoff time of 46.6 or Hackett's ridiculously fast split of 45.0 was the fact that the splits of both Ashwood and Kiley qualified them for Easterns in the 100-yd. freestyle...
...Kiley '81 outstroked his opponents by a full five seconds to land the 500-yd. freestyle, and later went on to sink the opposition in the 200-yd. version. Junior Eric Seder also proved a dominant double-winner, as he outraced Engineer Mark Huntziner by two seconds in the 200-yd. backstroke, and then sprinted to victory in the 100-yd. back...
Both Seder and Kiley hope to qualify for the Eastern Swimming Championships at Yale March 2-4, as do Craig Siegal, runner-up in the 500-yd. freestyle, and Kent Ashwood, victor in the 200-yd. Intermediate Medley...
Brooks' perspective on the characters is equally simplistic. Not only does he come very close to making Theresa into a harlot, but he also transforms the men into brutish stereotypes. The heroine's father (Richard Kiley) and first lover (Alan Feinstein) are far less sympathetically drawn than they were in the novel. Theresa's one appealing suitor (William Atherton), whose sweetness should leaven the story, becomes as cruel as the rest. Only the Italian stud Tony, played with magnetic ferocity by Richard Gere, seems remotely human...