Word: killah
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...intriguing complexity, almost every song on the album suffers from the same shortcoming. With the exceptions of “Gifted,” “Whatchadoin?,” and “The Mayor”—in which The Cool Kids, Ghostface Killah, and Scarface spit over a DJ AM beat—the collaborations lack a raison d’être beyond the whims of N.A.S.A. The admittedly interesting combinations of performers reveal nothing but the mad skills of the producers. Their work on “The Spirit of Apollo?...
...possible for any falsetto-reliant R&B balladeer, he was a bro. He betrayed his inner wag on his sex-crazed second solo album, 2007’s “Because of You,” unabashedly playing the field with no regard for female feelings. When Ghostface Killah needed fraternal solidarity on “Fishscale” single “Back Like That,” Ne-Yo was there to help him admonish his unfaithful paramour (while what Ghost had done was undoubtedly whack, playing him was surely no way to get him back). Plus...
...dropped a class because I saw Samuel Richardson’s Clarissa on the syllabus, there was a lot of speaking in kung-fu-related code with my radio station cohorts, and a little disdain for those who could only name most-popular Wu-Tang members Method Man, Ghostface Killah, and ODB.But for this show, my fellow Harvard students are part of the pre-concert hype process. I can finally talk about Enter the Wu-Tang (36 Chambers) outside the warm, record-filled confines of WHRB’s studios in the basement of Pennypacker. And for the past...
This week, the Wu-Tang Clan found itself playing second fiddle to its best-known artist’s seventh solo album. Ghostface Killah, whose new album, “The Big Doe Rehab,” was slated to be released the same day as the Wu-Tang Clan’s latest disc apparently forced the Killa Bees to push their album back by one week so that it wouldn’t conflict with his initial sales. One can only hope that the best is yet to come, and that the Wu‘s much anticipated...
...once-indomitable Wu-Tang Clan has slowly dispersed, and there is no question as to which of its former members has done the best for himself. ODB is dead. Method Man will forever live in sitcom infamy. The rest have decent solo careers, but only one, Ghostface Killah, has put out an album so vital (“Fishscale”) that its outtakes are essential listening...