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Word: killers (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...script is weakest by far in its characterization of Blue Haven, the racketeer who backs the Parkers' whiskey-making project. A one-time killer, he poses a direct threat to the family, for their business arrangement makes him their master. Blue should be detached, evil, and frightening, but his threats are simply deranged and anti-social. David Wilkins's awkward handling of his cane and sunglasses, ostensibly affected to make him cool and scary, only compounds the problem...

Author: By Ira Fink, | Title: Mama Died on 126th Street | 3/21/1974 | See Source »

...Italy--strong Buddy grows up to be a cop, while his weak friend Vito turns crook--is naturalism used to lubricate the gore machine. The Laughing Policeman is most barbarous of all: it primes viewers for two hours of pointless mayhem in the very first scene, when a nameless killer mows down eight strangers on a bus. (If the action slows at other points, Rosenberg tosses in a woman jumping to a splattered sidewalk death or a stoolie's face getting flushed in a urinal...

Author: By Michael Sragow, | Title: Speed and Thump | 3/7/1974 | See Source »

Jenkins is most valuable as a "killer". When the Detroit native has a hot hand there is no one in the Ivy League, including Haigler, who is capable of shutting him off. Jenkins will streak to four or five quick baskets on soft jumpers and lay ups and help the Crimson back into contention...

Author: By Jefferson M. Flanders, | Title: Flanders Fields | 3/1/1974 | See Source »

...often that the Harvard squash team finds itself in the role of giant-killer, but the Crimson was equal to the task Saturday and leveled a heavily-favored Penn squad...

Author: By Richard A. Samp, | Title: Racquetmen Down Quakers, 6-3, Share Ivy Lead | 2/25/1974 | See Source »

...film's complicated story--about a mysterious disappearance and a murder case that turn out to be intertwined--is pretty unimportant. What matters most is the cavalcade of bizarre characters that parade through the movie: a wasted, would-be Hemingway, his mysterious wife, a nonchalant killer, and a sadistic Jewish gangster. The gangster--a shadowy, sinister figure in so many films--is laughably absurd in this movie because he's so exaggerated. His idea of getting down to the bare essentials is stripping down to his dark blue jockey-shorts, so he can talk as a man with nothing...

Author: By Richard J. Seesel, | Title: Goodbye to All That | 2/6/1974 | See Source »

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