Word: kinds
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Steven Spielberg's Close Encounters of the Third Kind popularized astronomer J. Allen Hynek's classification of alien encounters. The third kind was contact. The fourth is abduction. We're reminded of this at the beginning of the new movie. Then Milla Jovovich (taking a big step down from her celebrity-making role as the gorgeous automaton in The Fifth Element) tells us she'll be impersonating a Nome psychiatrist, Abigail Emily Tyler. At times a split screen shows Jovovich as Tyler on the right, consulting with her patients, and "actual footage" of the allegedly actual Dr. Tyler...
...shows are mere lures to the low plausibility bar of home viewers. Watching them costs nothing but time. It's a different matter to ask moviegoers to pay for The Fourth Kind, a movie that's all setup and [SPOILER ALERT!], with the exception of one creepy levitation, no payoff in the chill department. Osunsanmi is so dogged in pursuing his faux-doc style that he offers hardly a glimpse of extraterrestrials [END SPOILER ALERT]. You'd do better downloading an old Art Bell show - say, the one about the guy who put an alien in his freezer - than investigating...
...clearly there's reason for caution. Other Internet entrepreneurs have piped up about the issue. James Hong, who co-founded Hotornot.com, said that even back in 2005 he'd stopped taking the kind of offers that ask for cell-phone numbers or a subscription. "The offers that monetize the best are the ones that scam/trick users," he wrote on his blog. "Sure we had [legitimate] Netflix ads show up ... but I'm pretty sure most of the money ended up getting our users hooked into auto-recurring SMS subscriptions for horoscopes and stuff...
...There is a kind of feedback as you’re making a picture—the colors on the canvas are actually changing as you apply other colors next to them,” Conway says. “That dynamic process reflects something about how the visual system works.” In fact, art and art practices are fundamentally constrained by how the visual system works, he says, and the study of art is in some ways in the service of the quest to understand vision...
...movie is firmly rooted in a mythical past (the 1990s) full of sweaters and mom jeans, laminate tables, and a willful ignorance of a larger world outside of that which can be reached by car. It’s a kind of nostalgia for a nerd-kitsch Americana that would be more appropriate 20 years from now. This world is the same one that Hess captures in “Napoleon Dynamite,” only here he seems determined to test the limits of the weirdness of small-town America...