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...smart to self-immolate.) Jackson's bizarre resculpting of his features, his litigious shenanigans with his youngest admirers, his obsession with being an eternal preadolescent, a petrified Peter Pan: all these eccentricities gave him an otherworldly cast. It took death to restore his standing as one-of-a-kind entertainer - to bring him back to life. (See TIME's full Michael Jackson coverage...
Ortega and Jackson had some Berkeley-size production numbers in mind. A version of "Smooth Criminal" interpolates Jackson into antique movie clips with Rita Hayworth, Humphrey Bogart and Edward G. Robinson. "They Don't Care About Us" sends 1,100 CGI soldiers marching down a kind of Champs-Elysées whose Arc de Triomphe is bent into an M for Michael. "Thriller" was to boast 3-D effects. And "Earth Song," the rain-forest-message number, has a dewy child (a girl, if you're wondering) facing down a bulldozer, which was then to motor toward the front...
There would be no book of exactly the kind Adams had in mind. But nine years after his death, a good number of his color pictures were published for the first time in Ansel Adams in Color, in a selection chosen by another great photographer, Harry Callahan. This year the book is being reissued with 20 additional pictures that have never been published before. (See pictures from Ansel Adams in Color...
...what kind of artist was he in color? The same kind as he was in black and white: a man attuned to nuance, rustling surfaces and gentle modulation, even when he was working in the most muscular natural settings. In the same way that he was turned off by harsh contrast in black-and-white pictures, he disliked strident color. What he was after were tones, colors you can't put a name to, indeterminate registers that shift in the retina and brain. Even his sunsets were powder-puff pink. (Read "The Old Master of Majesty Ansel Adams...
...book’s main points into a small, palatable package, innovations like the vook essentially encourage us not to read at all, for the act of reading is a sustaining intellectual process that requires scrutiny, time, and—above all else—thought. And what kind of thought is required in to “read” something like a vook...