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Eleganza, Identities, and Project East engage in the same kind of cultural synthesis on a smaller scale. By interweaving the minority communities and the fashion industry, these three shows disengage the former from its customarily passive role as a source of influence for the latter. They carve a new, active role for their respective communities to influence the perception and message of fashion on campus...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

...mirrors, the sleek surfaces of the Jones home, and, during the climactic sequence, in a swimming pool. This technique effectively communicates the characters’ absorption in their own images, and how they define themselves through their purchases. It also accuses the viewer of engaging in the same kind of tireless self-promotion. Not only does our consumerism make us fall prey to advertisements, but our fixation with self-image puts us in danger of becoming advertisements ourselves...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: The Joneses | 4/20/2010 | See Source »

...across the vast plain of night?” By including these long definitions alongside her own prose poems, Carson encourages a reading of each definition as if it were a poem in itself. Moreover, in presenting the many possible meanings of each Latin word, Carson creates a kind of translation that allows for the nuances that she feels are lost in any attempt to translate Catullus into English...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Anne Carson’s ‘Nox’ Is a Creative Tribute and Farewell | 4/20/2010 | See Source »

...Days Are Nights” is an unalterable step towards a kind of maturity, it is also a regrettable one. In growing more earnest, some of Wainwright’s compositions have reached a previously unexplored height of emotional and intellectual resonance, an important part of which is Wainwright’s commitment to the piano. More saliently, however, the overwhelming sentimentality of this latest album has blunted the artist’s edge and overshadowed his great musical talent...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

...uplifting chord progression in a refreshing major key, Wainwright warbles, “The dream has come and gone / The earth lumbers on / The dream is back in space / Back where it came from.” Striking a fantastic, wistful, and yet powerful tone, Wainwright here describes a kind of loss that avoids the lure of saccharine self-pity. His imagery, of an earth “lumbering on” and of galactic dreams, is sweet and clear without being cloying. After a brief and discordant piano part, Wainwright ends the song by belting...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

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