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...documentary—including Moss, Ross McElwee, and Aflred Guzzetti—teach in the Harvard VES program. Beyond Harvard’s campus, Boston is also home to celebrated documentary filmmakers like Frederick Wiseman (“Domestic Violence”)—“kind of the godfather of cinéma vérité,” in the words of Horovitz—and Errol Morris (“The Fog of War”), compared by critic Roger Ebert to Alfred Hitchcock and Federico Fellini. The high concentration of filmmakers...
...produced “Guy and Madeline,” while his former roommate Justin G. Hurwitz ‘08 composed the score. Even now in Los Angeles, Chazelle is living with other students from Harvard. “There’s still a kind of community that continues after gradu “Because at the end of the day, that’s what it’s all about: finding collaborators whom you trust and who are going to make you a better filmmaker...
...students feel they have not experienced it as such. “Boston’s a really cool film community, and I wish students took more advantage of it,” said John P. Harrison III ’09. “It’s kind of hard to escape the Harvard campus.” Eliora M. Noetzel ’10 has had exactly that difficulty. “I’ve not been to many film festivals, because getting off campus is not something I do often,” she said...
...been somewhat sheltered from this effect due to the Film Tax Credit, which was instated in 2006. Since its implementation, there has been a steady increase in the number of films produced in Boston. “Boston, as a result of a tax break for films, is kind of crazy. It’s become this huge haven for feature films,” said Horovitz. Martin Scorsese’s “The Departed” and “Shutter Island” are two such films shot in Boston since the tax credit...
...depiction of a temperamental premier sulking at a dinner including Louis Susman, later appointed U.S. ambassador to London, after guests took their seats without waiting for Brown to allocate placements, and Price's account of Brown's "extraordinary flashes of anger," this contributes to a picture of the kind of volatility that undermined John McCain's presidential campaign...