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...feet--bare feet, mud-covered feet, crippled feet--in short, feet in their most humble form. It then expands to show a procession of peasants trudging across a barren, almost lunar landscape of huge rocks and cracked terrain. Immediately we see that we have entered the surreal, prehistoric kingdom of Shakespeare's Lear. The next shot shows Lear's huge, imposing castle which rises suddenly and rather unnaturally out of the ground, dwarfing the peasants who in comparison look like a bunch of ants swarming on an anthill. Heightened by the effective use of Dmitry Shostakovich's operatic score...

Author: By Mary F. Cliff, | Title: Above the Language Barrier | 2/17/1984 | See Source »

...correctly the humanness of its central character. Lear's fall is not of the same grandeur as Oedipus in Sophocles's tragedy, Oedipus-Tyrannus. Rather it is the fall of a vain, petty man whose self-centered need for flattery destroys his only loving daughter and ruins his sacred kingdom...

Author: By Mary F. Cliff, | Title: Above the Language Barrier | 2/17/1984 | See Source »

Being an outpost of the Turkish empire meant being of interest to the Hapsburgs' Austro-Hungarian empire, which annexed the whole region known as Bosnia-Herzegovina in 1878. The Hapsburgs' new subjects resented them, and many put their nationalist hopes on the neighboring kingdom of Serbia...

Author: /time Magazine | Title: When Sarajevo Triggered a War | 1/30/1984 | See Source »

...profit, the marketability of a brand name showing on a ski propped over an Olympic champion's heart is obvious. And an ice show hardly knows what to call a star if she has won nothing more than a silver medal. Fratianne, who performs for Walt Disney's Magic Kingdom on Ice, says, "It's kind of the difference between being rich and really rich. Maybe it cost me some money, but all I can say is, now I can live happily ever after...

Author: /time Magazine | Title: Clear the Way For the U.S.A. | 1/30/1984 | See Source »

...sentimental or insistent on this point; he is mostly having too much fun with the giddy life of the voyage. Much of the amusement has to do with unfortunate encounters between the foolish passengers, who like to believe that they have transcended the instinctual life, and the lower animal kingdom. There is, for example, the seagull that invades the dining salon, flapping everyone into hysteria. Then there is the matter of the Emir's pet rhinoceros, languishing in the hold and giving off a most unpleasant stench. Seasick, any reasonable person might suppose; lovesick, the opera crowd prefers...

Author: /time Magazine | Title: Cinema: Voyage of the Damned Fools | 1/23/1984 | See Source »

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