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Bill Blass explaining how he does it; Martina Navratilova explaining how she did it; Warren Beatty explaining why he did it; Ben Kingsley explaining that it was important; the cast of Torch Song Trilogy explaining how incredible it is; the cast of M*A*S*H explaining how remarkable it was; Carl Sagan explaining how many there are; Billy Martin explaining it was a mistake; George Steinbrenner explaining it was a misunderstanding; Larry Speakes explaining what was really meant; David Bowie explaining what he is; Mary Cunningham and William Agee explaining everything...

Author: /time Magazine | Title: Essay: The Monsters Are Back at the Door | 10/31/1983 | See Source »

...Kingsley is of another species altogether: the modern character actor. His best-known character is Gandhi, the film role that won him an Oscar this year; and to that role he brought a fierce stillness and a passion for moral serenity that approach star quality. But for most of his career Kingsley has been a supporting player of the highest distinction with Britain's Royal Shakespeare Company-a satellite. The character actor cannot simply put himself on display as a star can, assured that his radiance will attract every eye. He must be a wily mendicant for the audience...

Author: /time Magazine | Title: You Got the Part, Ben | 10/10/1983 | See Source »

...Kingsley's misfortune that Gandhi cast him in an unfamiliar role: as multimedia star. In his new one-man show, which opened last week on Broadway, he is portraying a man who helped define the image of the charming, demon-driven actor. The stage is suffused with a gloomy glow-the dressing room for a command performance in hell, crowded with the ghosts of Kean's past. His wife, his mistress, his dead son and his surviving one, the theater managers who wronged him and the leading men he saw as his incompetent rivals, all are evoked...

Author: /time Magazine | Title: You Got the Part, Ben | 10/10/1983 | See Source »

Edwin Booth, who was born the year Kean died (1833), defined acting as the work of "a sculptor who carves in snow." Without sound film to record his art, an actor's performance ceased to exist on closing night. So Kingsley's Kean is a form of historical evocation, a tribute paid by one actor to another across the gulf of changing theatrical conventions. Other performers-Alfred Drake in a 1961 Broadway musical, Alan Badel in a 1971 London production of Jean-Paul Sartre's play Kean, Anthony Hopkins in a 1979 Masterpiece Theater-have played Kean...

Author: /time Magazine | Title: You Got the Part, Ben | 10/10/1983 | See Source »

...Marilyn, a ludicrous, lugubrious bio-opera about Marilyn Monroe. (Doomed movie stars are now the musical rage: a different Monroe show is coming to Broadway next season, and the National Theater is mounting a musical by Marvin Hamlisch based on the life and death of Jean Seberg.) Ben Kingsley, the R.S.C. stalwart who won an Oscar playing Gandhi, has brought his one-man show on 19th century Actor Edmund Kean to the West End. Griff Rhys Jones, who mugged his way to TV celebrity on the BBC's Not the Nine O'clock News, is conducting a valiant...

Author: /time Magazine | Title: Theater: Looking for the Real Thing | 6/20/1983 | See Source »

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