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...Kitchen (A.C.T. Films; Kingsley) is a socialist shocker-socialist because the kitchen in question is a ferocious attack on what's left of the profit system in Britain, a shocker in the sense that a steaming tureen of stew is a shocker when flung full in a customer's face. Adapted from a play by Arnold Wesker, a soapbox socialist and onetime pastry cook who at 29 is currently the fashionable prole among Britain's angry young dramatists. The Kitchen describes with stupendous drive a day in the help's half of a big London restaurant...

Author: /time Magazine | Title: Cinema: Pressure Cooker | 11/3/1961 | See Source »

...book is, in fact, rather upsetting. Mr. Wilson has in him the wit of a Kingsley Amis and the erudition of a Dorothy L. Sayers, but he will insist on writing by the standards of the bracken. He is, indeed, in danger of choking off these talents altogether; and that, of course, would be no small misfortunte...

Author: By Anthony Hiss, | Title: Mr. Colin Wilson Among the Bores Of Bohemia | 10/14/1961 | See Source »

Died. Sir Charles Kingsley Webster, 75, British diplomatic-historian whose scholarly studies of the Congress of Vienna served him in good stead as a member of the British delegation at the creation of the U.N.; in London...

Author: /time Magazine | Title: Milestones: Sep. 1, 1961 | 9/1/1961 | See Source »

...least slogans of the times. He is, in fact, out of his times, a reactionary poet-clear, courtly, precise, varied in tone, passionate but restrained, using poetry as both a special ceremony and a daily occurrence. Ironically, to a great many of Britain's younger poets, among them Kingsley Amis, Philip Larkin, D. J. Enright and Elizabeth Jennings -sometimes collectively known as "The Movement"-Graves's old-fashioned vir tues seem highly contemporary. Writes British Critic Walter Allen: "It is as though the world has caught up with Graves so that, mysteriously, he even appears...

Author: /time Magazine | Title: Books: Songs of a Bent-Nosed Jove | 8/18/1961 | See Source »

...Truth (Hans Films; Kingsley-lnternational) is a half-serious attempt to make a wholly serious film starring Brigitte Bardot. Director Henri-Georges Clouzot succeeds for the most part in keeping his drama sober, although now and then he throws in a few peepshots for the skin trade. But his effort to be earnest has unstrung the tautness with which he filmed Diabolique and Wages of Fear. For its last half hour, Truth is as limp as old lettuce...

Author: /time Magazine | Title: Cinema: Serious Brigitte | 7/7/1961 | See Source »

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