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Darkness at Noon (adapted by Sidney Kingsley from Arthur Koestler's novel; produced by the Playwrights' Company) dramatizes, on the whole, very well. Not only does much of it prove dramatic on the stage, but the drama has been bought at a sense-making price. The play keeps faith with the book: the brushwork is necessarily broader, but the framework has been kept intact. It remains a vivid memento of the Moscow trials, a sharp probing of the Communist mind...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 22, 1951 | 1/22/1951 | See Source »

Like the rest of the U.N. forces north of Seoul, the British were getting ready to withdraw, but they had a few small chores to attend to first. Lieut. Colonel Kingsley Foster, C.O. of the Northumberland Fusiliers, pointed down a small valley toward two smoldering villages. "Some of my troops, including a few wounded, are pinned down there," he said. "I've lost my senior major, a classmate of mine whom I've known for 25 years. I've also lost my assault platoon commander. We're just about...

Author: /time Magazine | Title: THE ALLIES: In Clover | 1/15/1951 | See Source »

...When Kingsley H. Murphy '52 was informed of the practical solution, he was temporarily elated. "Pretty good idea, but I don't think It'll work for the whole College...

Author: NO WRITER ATTRIBUTED | Title: College Protests Maids' Choice of Day Off | 9/28/1950 | See Source »

Maddening Muddle. The New Statesman is beloved, as Editor Kingsley Martin admits, by a "very high percentage of readers who say . . . that they read the front political part last and agree with it least." Politically, the weekly is a mishmash, an often-maddening muddle of Socialism, appeasement of Russia, and anti-Americanism. On the Korean war the New Statesman has adopted a "plague on both your houses" attitude, and has implied that worldwide Communism would be preferable to an atomic...

Author: /time Magazine | Title: The Press: Puzzles & Politics . | 9/4/1950 | See Source »

Doubting Critic. The man largely responsible for the New Statesman's success as well as for its political fuzziness is Editor Basil Kingsley Martin, who writes most of the lead editorials and a gossipy column about cabbages & kings signed "Critic." With his querulous aquiline profile and his tonsure-like ring of hair, 53-year-old Kingsley Martin well fits his role as omniscient dissenter and belligerent pacifist. His sense of martyrdom is irritating and sincere, once prompted the remark: "If you see someone who looks as if he is on his way to Clarkson's [a theatrical wigmaker...

Author: /time Magazine | Title: The Press: Puzzles & Politics . | 9/4/1950 | See Source »

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