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...surprising that Dylan should feel a certain kinship with Rubin. His own sense of justice is removed from the world of judges and legislation--Dylan bringing his fury to bear on a victim as in Like a Rolling Stone, must feel a bit like a flurry of Rubin's punches. When Dylan sings in the chorus "One time he could've been/The Champion of the World," he's talking about more than a boxing title; he's suggesting a state in which relationships between people are informed by an intuitive sense of justice, rather than by a systematic but easily...

Author: By Seth Kaplan, | Title: To the Valley Below | 2/2/1976 | See Source »

...carves men in two without blinking or thinking twice. But the only think Bergen's malden can fault him for is being a kidnaper of women and children. If only he were more sexist, about his violent behavior, then he'd be fine. So, the Americans, seeing this kinship of rugged individualism, actually ally themselves with the shelk (in this case the Germans are the villains...

Author: By Richard Turner, | Title: THE SCREEN | 8/5/1975 | See Source »

...long to perform in nightclubs, Flack yearned for her classical roots. "One of the hassles of being a black female musician," she says, "is that people are always backing you into a corner and telling you to sing soul. I'm a serious artist. I feel a kinship with people like Arthur Rubinstein and Glenn Gould. If I can't play Bartok when I want to play...

Author: /time Magazine | Title: Music: What Ever Happened to Rubina Flake? | 5/12/1975 | See Source »

...shaggy of mane, void of visible intellectuality, he looks like a Paris taxi driver who has just won the Irish Sweepstakes. He bubbles. He bounces. He loves American beer. Above all, he credits his eminence in a rarified field not necessarily to years of scholarship, not to a preternatural kinship with the shades of Telemann and Tartini, but to the four years he spent working in a Provencal coal mine as a youth. "Look at these lungs," he cries after breathing deeply. "Feel these back and shoulder muscles. That is what it takes to play the Baroque trumpet...

Author: /time Magazine | Title: Music: Under Pressure | 12/9/1974 | See Source »

...organized by E. Barry Gaither, the Museum's curator and an instructor in the Afro-American Studies department here. The purpose of the exhibit is to show the similarity of themes and styles used by Black artists around the world, and through them to make a statement on the kinship of Black people. The show will be at the Museum, 122 Elm Hill Avenue in Dorchester, through...

Author: By Kathy Garrett, | Title: GALLERIES | 12/5/1974 | See Source »

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