Word: kinski
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...plagued Herzog's efforts. Once he and his crew were forced to flee camp for their lives; later original actors Jason Robards and Mick Jagger pulled out, the former because of ill health, the latter for other commitments. Herzog had to start from scratch with a new lead, Klaus Kinski, while writing out Jagger's obviously irreplaceable part...
...some wax before he wanes: his first record, How Can I Live Without Her, is currently No. 89 on the charts. But there was still something missing, so his handlers suggested a take-it-off takeoff of the now famous Richard Avedon portrait of Natassia Kinski, 21, with a languorous python at her thigh. For Atkins, that meant posing in the outfit that he is best known for on-screen and lying cheek by jowl with a 6-ft.-long, 20-lb. female boa constrictor. The result is a gripping bit of publicity, although Freud might be puzzled about just...
Where does that leave Cannes the movie festival? Still exciting after all these years. Fitzcarraldo, which stars Klaus Kinski as an Irish rubber baron who leaves his mistress, played by Claudia Cardinale, is a mystical trek through the Peruvian jungle that took four calamitous years out of Director Herzog's life and won him the best director prize. The official competition also boasted new films from Michelangelo Antonioni, Jerzy Sko-limowski and Jean-Luc Godard. Antonioni's Identification of a Woman is hypnotic and erotic, and it earned him the festival's special 35th-anniversary citation...
Irena (Natassia Kinski) is the embodiment of this duality. She is a cat person. Cat people have the peculiar tendency of transforming into black leopards when sexually aroused. They can regain human form only by killing. Only if they mate with their own kind can they avoid this dastardly B-movie fate...
Innocent yet animal. Irena embodies the conflict between the two natures of sexuality, and Kinski, emulating her success in Tess, gives an admirable performance. Though the sexual theme holds great potential for creating vivid, powerful characters, Irena could be played by a stuffed animal. The audience, primed with Cinderella fairytales and pubescent fantasies, already knows Irena's conflict. And so director Paul Schrader (American Gigolo, Hardcore. Blue Collar) uses his characters as no more than props...