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...light overture, a medley of tunes by LeRoy Anderson, Strauss waltzes) with the Harvard Club program of February 22, 1970 (Stravinsky, Hindemith, Etler, Petzel, Hovhaness, Dahl, and Mozart). The orchestra has performed many premieres including the world premiere of a Dellapiecola piece, the New England premiere of the Kirchner plane ??rto (conducted by Kirchner and ??med by Luise Vosgerchian), the New England premiere of Gunter Schuller's Five B?? and premieres of some of Dr. yaks works. HRO and the Glee Club would have performed the American premiere of Kurt Weill's Berlin Requiem at the coming mach concert...

Author: By Christine Taylor, | Title: From Pierian Sodality Serenading the Ladies For Fun-and Credit To Harvard-Radcliffe Orchestra | 3/20/1970 | See Source »

BOSTON will enjoy the gifts of three conductors of the first magnitude this year: Seiji Ozawa, Claudio Abaddo, and Leon Kirchner; and Kirchner is providentially accessible to Harvard audiences as the conductor of the Boston Philharmonia. This excellent chamber orchestra serves the salutary purposes of offering varied programs, significant modern works, and vital playing, three qualities egregiously absent from the Boston Symphony Orchestra, which gives every indication of expiring into another seven months of unremittingly harsh and indifferent prosecutions of emulsified, vindictively pasteurized programs gleaming with lambent somnolence. Kirchner does not specialize in conducting twentieth century music, although...

Author: By Chris Rochester, | Title: The Concertgoer Boston Philharmonia at Sanders Sunday evening | 10/29/1969 | See Source »

...Monday Night Concert Series--Boston Philharmonia with Leon Kirchner, conductor at Sanders Theatre. Tickets at Loeb Drama Center and at the door. Admission charge...

Author: NO WRITER ATTRIBUTED | Title: The Calendar for the Summer | 6/30/1969 | See Source »

ERNST LUDWIG KIRCHNER paints a girl's face like a summer lime. Blue cheek bones, black and red eyes. Smearing pink, red over the bright surface, his violent hand defines her delicacy. In every harshly subtle gesture, sensitivity spins and enmeshes this violence. Throwing his personality into all his works, this peculiar vision of the world emerges from shocking colors and distorted figures. Every work is a self portrait...

Author: By Cynthia Saltzman, | Title: Kirchner Retrospective | 4/24/1969 | See Source »

...rapid motion of brushstrokes or the frightened lines in woodcuts recall the act of painting or cutting, and you conjure up an image of Kirchner in the process of work. You see what he felt, you understand what...

Author: By Cynthia Saltzman, | Title: Kirchner Retrospective | 4/24/1969 | See Source »

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