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...LEON Kirchner is the Renaissance man of the Music Department. Pianist, teacher, composer, conductor, he seems to be in constant metamorphosis. As contemporary composer, Kirchner has been awarded a Pulitzer prize for a work that combines sounds produced electronically with those of a string quartet; as teacher of courses for music concentrators, he is tireless in his efforts to spread the gospel according to Schoenberg. Yet Friday night there he was, conducting the Cantata Singers and an ensemble of Boston-area professionals in a program consisting solely of music by J. S. Bach...

Author: By Robert G. Kopelson, | Title: The Cantata Singers | 2/12/1968 | See Source »

...cares if Leon Kirchner did not phrase the last movement of the Mozart Eb major piano quartet as if it began on an upbeat? And what if Jaime Laredo did force a bit in the suite from Stravinsky's L'histoire du Soldat? And if the Schoenberg Suite Op. 29 is a little hard to take on first hearing, for petesake go listen to it again...

Author: By Robert G. Kopelson, | Title: Leon Kirchner and Chamber Ensemble | 8/1/1967 | See Source »

...worst thing an audience can do is go to a concert with a closed ear. Unfortunately this is what a lot of self-styled "music lovers" seem to be doing; fortunately, under the guidance of brilliant musical minds like Leon Kirchner, music continues to be daring, provoking, and inspiring--as mehitabel would say--in spite of hell...

Author: By Robert G. Kopelson, | Title: Leon Kirchner and Chamber Ensemble | 8/1/1967 | See Source »

...Leon Kirchner and Chamber Ensemble will perform at the Harvard Summer School Monday Night Concert Series, July 31, at 8.30 p.m. in Sanders Theatre. Tickets can be purchased at the Loeb Drama Center Box Office, 64 Brattle Street...

Author: NO WRITER ATTRIBUTED | Title: Kirchner Concert | 7/28/1967 | See Source »

...easily palatable. Pianist Leonard Shure opened the series with a completely traditional program of Chopin, Schubert and Beethoven; a week later Jamie and Ruth Laredo deferred to general taste with Bach and Beethoven, but managed to sneak in the somewhat post-Romanticist Sonata Concertante of contemporary Leon Kirchner; last night violinist Felix Galimir and his chamber ensemble (one almost expected the program to read "Felix Galimir and guests") went even further: avoiding the 19th century entirely, the group plunged right in with two works of extremely modern idiom, both composed within the last two decades...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

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