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...program of the kind of music it was founded to perform-little-known works by American composers. John Knowles Paine's Overture to "As You Like It" and Howard Hanson's Lux Aeterna proved merely to be pleasantly melodic, soundly constructed works with undistinguished profiles. Leon Kirchner's Concerto for Piano and Orchestra belonged to the crash-bang-and-meander school of modernism, with the violins chasing random single notes in sequence while the cello stuttered insistently, as if trying to interrupt. The whole was something less than the sum of its brilliant parts. Pleasant surprises...

Author: /time Magazine | Title: Music: Custom Concerts | 2/1/1960 | See Source »

...exact date and length of Behrman's stay in the House have not yet been announced. Last year's visitors to Kirkland, novelist John P. Marquand '15 and composer Leon Kirchner, lived in the House guest suite in N-entry while in Cambridge and ate with the students in the House dining hall...

Author: NO WRITER ATTRIBUTED | Title: Noted Author S.N. Behrman To Visit Here | 1/26/1959 | See Source »

...late Hungarian-born violinist Stefi Geyer, with whom he was in love before his first marriage. Budapest audiences reserved their loudest cheers for the Juilliard group, which played Bartok's Third and Sixth quartets, plus works by Mozart, Haydn, Beethoven, the U.S.'s Walter Piston and Leon Kirchner. The audience yelled so loudly for encores that the quartet gave an additional concert for students, who almost dismantled the hall with enthusiasm. Established in 1946 by Juilliard School of Music President William Schuman, the quartet has scored triumphs in Europe in recent years, built a reputation which rivals that...

Author: /time Magazine | Title: Music: Bartok & Juilliard | 10/13/1958 | See Source »

...affair begins with a canvas by E. L. Kirchner which has long been a source of particular exasperation to me. Why Kirchner puts a cat in front of a mirror which conflicts with it and behind a figure which jumps behind it in terms of color, is a complete mystery. Once a painting functions as an entity, poetic licence is justified. But until it does the word is meaningless. This painting does not. If the term "expressionism" means something more than emotionalism, then there is more expression in a plum by Chardin. There is more expression, for that matter...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst II | 4/30/1958 | See Source »

...directors, however, have done a particularly fine job of selecting works for this exhibition which attempt to speak for themselves rather than for a school or philosophy. Kirchner, for instance, looks far more effective here with his early canvases than he did at the recent European masters exhibit in Boston...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst | 12/5/1957 | See Source »

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