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...scalpers were buying from each other, and at one concert, 600 crashers forced their way in. The next night the Russians played; there were enough empty spaces in the hall to drive a tractor around in, and the crowd dwindled further at intermission. It wasn't that Conductor Kiril Kondrashin had given a poor concert; it was just that the exuberance of Mehta, his orchestra, and Negro Pianist Andre Watts's performance of a Liszt concerto were a hard act to follow...

Author: /time Magazine | Title: Orchestras: Bucharest Battle | 9/29/1967 | See Source »

SHOSTAKOVICH: SYMPHONY NO. 5 (Melodiya-Angel). The Fifth is Shostakovich's best-known work, part of the repertory of most major orchestras. In the U.S. it has been associated with Leonard Bernstein, who helped to popularize it and who has made a stunningly dramatic recording. Kiril Kondrashin and the Moscow Philharmonic are more lyrical and reflective, so that the first and third movements have special eloquence-emotional search and intellectual despair...

Author: /time Magazine | Title: Television, Theater, Records, Cinema: Mar. 3, 1967 | 3/3/1967 | See Source »

...Symphony made its triumphant debut in Moscow in 1956, Russian audiences were shocked to discover what the outside world had long acknowledged-that U.S. orchestras were the world's finest. Russian cultural circles began buzzing with talk of the "orchestra gap." One of the most outspoken critics was Kiril Kondrashin, then conductor with the Bolshoi opera, who bluntly declared that Russian orchestras had to shape up. Four years later, when Kondrashin was appointed conductor of the Moscow Philharmonic, he admitted that "the U.S. orchestra is the ideal I am working toward...

Author: /time Magazine | Title: Orchestras: Pursuing the U.S. Ideal | 10/29/1965 | See Source »

...Peter's-for a novelistic drama of great power and immediate concern. West's tale of the Russian who becomes Pope surmounts two obvious hazards when the papacy is a subject for fiction-that of scandalizing Catholics or boring those outside the Catholic faith. Pope Kiril is no bore and is perhaps the first fictional pontiff to pass the severe test the subject imposes on the fallibility of novelists.*West's novel can be read as exciting fiction by a notable craftsman (The Devil's Advocate) and for the documentary expertise West acquired as Vatican correspondent...

Author: /time Magazine | Title: Books: When the Pope Was Russian | 5/31/1963 | See Source »

Satanic Parody. As Pope, Kiril must confront, as did his predecessor, the specter of atheistic Communism. But he must do so in an unprecedented way, for he bears on his face, hands and back, the scars of Communist torture. His interrogator in a Siberian prison was Kamenev, who has become head of the Soviets. The Pope, in fact, is thus a failed product of (or triumphant escapee from) that satanic parody of the confessional-the brainwashing process wherein men confess to crimes they have not committed to men who have no power to absolve. Yet Pope and Commissar understand...

Author: /time Magazine | Title: Books: When the Pope Was Russian | 5/31/1963 | See Source »

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