Word: kirke
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Dates: during 1950-1959
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...Jones (Amherst), 5. Wortman (Cortland), 6. Hammond (Harvard)--2:11.8 (Meet Record). 50-YARD FREESTYLE: 1. Keiter (Amherst), 2. Dyer (Harvard), 3. Bronston (Yale), 4. Gideonse (Amherst), 5. Myers (Colgate), 6. Hibbard (Yale)--22.2 (Meet Record). 200-YARD BACKSTROKE: 1. Plourbe (Bowdoin), 2. Dolbey (Yale), 3. Earley (Yale), 4. Kirk (Army), 5. Harris (Cornell), 6. Wolf (Cornell)--2:11.1. 220-YARD FREESTYLE: 1. Anderson (Yale), 2. Cornwell (Yale), 3. Goodman (Army), 4. Ellison (Yale), 5. Bahrenburg (Dartmouth), 6. Bronston (Yale)--2:07.0. 100-YARD BREASTSTROKE: 1. Buzzard (Syracuse), 2. Johnston (West Chester Teachers), 3. Koletsky (Yale), 4. Hardin (Yale...
...Louis B. KIRK Cleveland Heights, Ohio...
Lust for Life is still excellent and still at the Kenmore. Van Gogh gets exceptional color photography, and Kirk Douglas rarely gets in the way. Anastasia makes little out of a lovely thing, but Ingrid Bergman is superb. Helen Hayes and Yul Brynner wander in and out every now and then. At RKO Keith. The Great Man is dead. Long live his greatness? Jose Ferrer snoops around tensely, and says no. A tidy film. At the Beacon Hill. Baby Doll doesn't deserve all the publicity but contains three brilliant performances--by Eli Wallach, Karl Malden, and baby-blond newcomer...
...become Columbia's most cherished hero since Sid Luckman was tossing passes at Baker Field. While his colleagues beam in admiring good will, President Grayson Kirk sings his praises as "an able and exciting teacher," the Graduate English Department information desk bears the legend "Only Charles Van Doren Knows All the Answers." and his students decorate the blackboard with such questions as "For $52,500, what did Plato mean by Justice?" At St. John's, where only two faculty members deign to own TV sets, President Richard Weigle went to a neighborhood bar to catch last week...
...Secret Affair (Warner) is a comedy of bad manners. They are largely exercised by a newsmagazine tycoon (Susan Hayward), aided by her editor (Paul Stewart), upon a famed combat general (Kirk Douglas). The general believes that there are only two kinds of women: mothers and the others. The female tycoon believes that there are only two kinds of men, "and I can handle both." Each, by profession, is determined to have his own way. When she decides to do a cover story on him, exposing him as a blabbermouth and general incompetent, the stage appears...