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...ignore a child's blackness, the child himself cannot. Establishing a sense of identity, hard for many adopted children, is even harder for the T.R.A. youngster. One black Montreal teenager, brought up by whites, refers to Negroes as "them" and to whites as "us." Similarly, Bill Kirk, who was adopted at age three by Ontario Sociologist H. David Kirk and is now 17, reports that "I think like a white man, and when I get out into the world, that is maybe going to hang...

Author: /time Magazine | Title: Behavior: White Parents, Black Children: Transracial Adoption | 8/16/1971 | See Source »

...Montreal's Open Door Society, a pioneering organization in transracial adoption-sometimes sponsor seminars on black history or meet to discuss mutual difficulties They may encourage their children to get together regularly with black youngsters, to study their heritage and to remember their natural parents. For example, Kirk's 18-year-old daughter Debbie, a Puerto Rican, spent a month working at a day-care center in Puerto Rico. She explains: "I wanted to see the people that I was from-the culture, the language and society...

Author: /time Magazine | Title: Behavior: White Parents, Black Children: Transracial Adoption | 8/16/1971 | See Source »

...legislature than its population warranted, Askew was one of the leaders for reapportionment. He gained a reputation for sincerity and fair play; that, coupled with his promise of tough tax, welfare and prison reform measures, helped him through the primaries and then easily to whip incumbent Republican Governor Claude Kirk...

Author: /time Magazine | Title: The Nation: Four Men for the New Season | 5/31/1971 | See Source »

...films are manipulated. A hysterically banal aesthetic argument from Vincente Minelli's 1956 B-movie, Lust For Life (shot off TV via video tape and transferred to film), represents the Nixon-Paramount form of exploitation within Available Light. Speaking to the point of images questioned, Anthony Quian (Gauguin!) answers Kirk Douglas (Van Gogh), "I paint it flat, 'cause I see it that way," the Hollywood realist-humanist rationale for manipulation. For the more conscious elements of image-makers, the rationale is of course more problematic. "I don't know how to see you," Tom says to Amy, manipulating...

Author: By Jim Crawford, | Title: Film Available Light At Carpenter Center tonight and Saturday at 8:30 p. m. | 5/28/1971 | See Source »

DAVID SHAPIRO, 24, is an intellectual onetime Columbia rebel who achieved notoriety of sorts in a famous 1968 photograph. It showed him occupying President Grayson Kirk's office chair while puffing one of Kirk's "liberated" cigars. Shapiro, who had already published a book of poetry at the time, now calls that episode "mock theater" and gives it only one big plus: he met his future wife during the activity. A Ph.D. candidate in English literature at Columbia, he plans a career of teaching and writing, has collaborated with Poet Kenneth Koch in encouraging ghetto kids to write poetry (TIME...

Author: /time Magazine | Title: Education: Class of '68 Revisited: A Cooler Anger | 5/17/1971 | See Source »

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