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Sweets declared that he was the victim of a radio blacklist initiated by Counterattack, a weekly newsletter offering "facts to combat Communism." Counterattack's managing editor, ex-FBIman Theodore Kirkpatrick, answered Sweets by charging that the blacklist shoe was on the other foot, that he knew of "a number of instances" in which anti-Communist actors could not get radio jobs because the directors and producers were Communists or fellow travelers...

Author: /time Magazine | Title: Radio: Who's Blacklisted? | 8/22/1949 | See Source »

Desirable in itself, the plan has also contributed to the achievements of former members. Randall Thompson '20, professor of Music and well-known choral composer, Virgil Thompson '24, Naumberg Professor of Music, harpsichordist Ralph Kirkpatrick '31, and composer-conductor Leonard Bernstein '39 were all active members of the Harvard club during their college years...

Author: By Herbert P. Gleason, | Title: From the Pit | 6/2/1949 | See Source »

...Talleyrand-Périgord, formerly Countess de Castellane, formerly Anna Gould. Furniture movers, electricians and telephone men were hard at work to get everything ready. No less hard at work were the Foreign Ministers' advance guard-U.S. Ambassador-at-Large Philip Jessup, Britain's Sir Ivone Kirkpatrick, France's Alexandre Parodi-in an attempt to "harmonize" their nations' views on what ought to be the West's strategy...

Author: /time Magazine | Title: THE NATIONS: Journey to a Pink Palace | 5/23/1949 | See Source »

From this it should be clear that Schneider and Kirkpatrick are unassailable interpreters of eighteenth century music. Baroque and classical sonatas for violin and piano have become virtually their property, and their flawless technique and honesty to the medium have scared away any competition. Judging by Wednesday night's concert, there is little reason to dispute that ownership...

Author: By Herbert P. Gleason, | Title: The Music Box | 4/22/1949 | See Source »

...used interchangeably with the harpsichord in his time. In any case, he did occasionally make excessive demands on a harpsichord, and these were noticeable in the thumping of the coupled bass at times in the C Major Sonata. But when music and instruments did fit, Schneider and Kirkpatrick produced some of the most delightful musical sounds I can remember...

Author: By Herbert P. Gleason, | Title: The Music Box | 4/22/1949 | See Source »

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