Word: kirks
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...picture. We're not talking origami here. In the late 1990s, when MOMA was in the first stages of a major expansion, the late Kirk Varnedoe, then chief curator of painting and sculpture, made a point of consulting with architect Yoshio Taniguchi to make sure that the museum's new second floor would be strong enough to hold the tonnage of the typical late Serra work. He did that because by those years it was obvious that the time was coming soon for a very big Serra show. And that was because Serra, whose work had once seemed as severe...
...three gay Dallas liberals in 2005--staged a self-congratulatory dinner in once solidly Republican north Dallas. At least 500 people attended, raising $200,000 for TEXVAC, which was instrumental in last fall's Democratic victories. ("We owe it all to these three remarkable young men," former Mayor Ron Kirk said of TEXVAC's founders during the dinner...
...administrator released a statement Friday following Barclay’s death. “We offer our sympathy, prayers and support to Daniel’s family and friends as they grieve the loss of a bright and positive member of the Institute community,” said Kirk D. Kolenbrander, vice president for Institute affairs. According to The Tech, MIT’s student newspaper, Barclay’s last communication was an away message that he had left on his AOL Instant Messenger account, which read, “I have to meet with some sketchy people...
CORRECTION: The April 9 arts review "Cryptic 'Cabrol' at Mainstage" incorrectly stated that Matt I. Bohrer '10 produced the Loeb Mainstage production "The Three Lives of Lucie Cabrol." In fact, Bohrer was one of four members of the production team, and the executive producer was Mollie M. Kirk...
...plays Lucie in the upcoming Harvard-Radcliffe Dramatic Club (HRDC) production, doesn’t quite fit that mold. “She’s very tall and very lovely and beautiful, which is not what Lucie in fact is,” says producer Mollie M. Kirk ’07. Specific physical descriptions were not a priority when Kirk and director C. Calla Videt ’08 cast the production. “We wanted people who were aware of their bodies, who were able to make rhythm, who were interested in listening to music...