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Lust for Life. Perhaps the finest film biography of an artist (Vincent van Gogh) ever made in Hollywood; almost a hundred of Van Gogh's paintings are shown in full, fulminating color on the screen; with Kirk Douglas (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Oct. 8, 1956 | 10/8/1956 | See Source »

...today a popular singer is apt to put on an elaborate production that calls for scriptwriters, stage director, musical director, arranger, piano accompanist, set designer and dress designers. Last week in her one-woman show in the Persian Room of Manhattan's staid old Plaza Hotel, Songbird Lisa Kirk used all of this paraphernalia to display as much of her shapely figure as the law allows. But between her entrance and exit in scanties, she did manage to sing...

Author: /time Magazine | Title: People, Sep. 24, 1956 | 9/24/1956 | See Source »

...film is best when it places the scenes that inspired Van Gogh next to sweeping CinemaScopic closeups of his paintings. Actor Kirk Douglas (whose natural red beard makes him look astonishingly like Van Gogh's self-portrait) and Anthony Quinn (splendid as the swaggering Paul Gauguin) at times manage to catch what Van Gogh called "the high yellow note" of painting intensity and the "electric arguments" about art which Van Gogh wrote left them "with our heads as exhausted as an electric battery after it is discharged." The film captures the fierce drive and bitter tragedy in the life...

Author: /time Magazine | Title: Art: VAN GOGH IN HIGH YELLOW | 9/24/1956 | See Source »

...sent him to the Arkansas School for the Blind in Little Rock, where he sang soprano until he was 17. Long before he graduated, in 1936, he had memorized every nuance of all the pop singers of the day. One fellow named Pha Terrell, who was featured with Andy Kirk's Twelve Clouds of Joy, used to let Al sing with the band sometimes when it hit Little Rock. In 1943 Al made the Ellington band, but "I was in the band for two weeks before I knew it." He kept singing as a guest, night after night, until...

Author: /time Magazine | Title: Music: New Pop Crop on Top, Sep. 3, 1956 | 9/3/1956 | See Source »

...Kirk is too well aware of the imperfect nature of man to suppose that the world's happiness is just around the corner. He can hardly be called an optimist, and he suffers from the built-in defect of all who distrust specific programs-he has none of his own to propose. But he has faith in the accumulated wisdom of the past, in the ultimate integrity of the individual, in a relationship between God and man that will give life a meaning it cannot otherwise have...

Author: /time Magazine | Title: Books: Conservatism Revisited | 8/13/1956 | See Source »

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