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...first orchestral flourish, the corps strikes a series of sassy poses, which melt away at Maria Calegari's bluesy, ruminative entrance. During an extended first-movement pas de deux, Kistler and Christopher d'Amboise follow the music's every twist and unexpected turn, illustrating its ripples with flowing figurations of their own. The third movement's bold, thrusting opening is similarly reflected in the dance, which includes some rapid-fire footwork for D'Amboise inspired by the rat-a-tat-tat of the piano. Paradoxically, Robbins is most, and least, successful with his extended bagatelle...

Author: /time Magazine | Title: Dance: Jazzing It Up at the Ballet | 2/15/1982 | See Source »

...Robbins is; his sense of structure-of how to hold a multimovement piece together-is stronger and surer. Against an art deco backdrop with a huge "G," Robbins enshrines the soul of Gershwin's piano in four crisply moving soloists, led by the technically dazzling, ebullient Darci Kistler. He impersonates the orchestra with a corps of 24 dancers-a dozen of each sex-and follows the episodes of the music as if he were charting a graph. Yet, where Gershwin's music ultimately degenerates into appealing but theoretically unrelated vignettes, Robbins' dance is unified with a tight...

Author: /time Magazine | Title: Dance: Jazzing It Up at the Ballet | 2/15/1982 | See Source »

...weekend, with three more premieres to come, Robbins had very strong entries. For opening night he created a gossamer duet for Darci Kistler and Ib Andersen to the second movement of the Piano Concerto No. 1. The dancers seem to be skating-two very young lovers etching their joy on a pond by moonlight. This is a charming little lyric that never takes itself, or figure skating, seriously. Still, in the subtle use of half-and three-quarter-point work for the radiant Kistler, Robbins manages to give toe shoes the rocking balance of a skate blade...

Author: /time Magazine | Title: Dance: To Tchaikovsky, a Rousing Tribute | 6/22/1981 | See Source »

Within City Ballet, Darci Kistler has been watched closely since her first school workshop performance. During rehearsals for her final student appearance in Swan Lake last May, she had a hip injury, but danced "full out" the whole time. Says a friend: "She covered the pain for two hours every afternoon. It was sheer determination." Says Irina Kosmovska, who began teaching Darci in California when she was eleven: "Darci was a fountain of energy. She tried everything. She was one of my most intense students-she would commit suicide on the floor...

Author: /time Magazine | Title: Dance: A New Sunbeam, Traveling Fast | 12/8/1980 | See Source »

...Says Dr. Kistler: "He watches so that there is no injury to her." In addition to pictures of Mr. B and Peter Martins, her living room shows off her precious collection of unicorns, the legendary beast that is associated with purity. But lately Darci has a new interest; she now likes images of swans...

Author: /time Magazine | Title: Dance: A New Sunbeam, Traveling Fast | 12/8/1980 | See Source »

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