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...halls and bowers of Capitol Hill. Her revelations forced the House to consider tightening up its procedures so that the only affairs taxpayers' money is spent on are those of state. The result, adopted last week by the controlling Democrats, might fittingly be called the Liz Ray Reform Kit...

Author: /time Magazine | Title: CONGRESS: The Liz Ray Reform Kit | 7/5/1976 | See Source »

Figuring that they cannot top Carter anyhow, right-wing purists argue that they might as well nominate their ideological favorite, Reagan. At the Missouri convention, Governor Kit Bond repeatedly cited a poll showing Ford running twelve points better than Reagan in the state; delegates were unmoved because they knew that the same numbers indicated that both men would lose to Carter. What the delegates overlooked is that if a presidential candidate crashes, a lot of his party's candidates for state and local offices get bumped off too−as happened when Barry Goldwater ran in 1964. The whole...

Author: /time Magazine | Title: REPUBLICANS: Who Would Lose Less to Carter? | 6/28/1976 | See Source »

Captain Pam Mack and Sarah Herrick shared skippering duties for Radcliffe in A and B divisions respectively. Kit Tilly, Kleinschmidt, Laura Brown, and Cassie Livitt crewed for the Crimson effort...

Author: By Elizabeth S. Strong, | Title: 'Cliffe Sailors Rally At National Regatta To Take Fifth Place | 6/4/1976 | See Source »

JOEL GREY'S DIABOLICAL LEER, Liza Minelli's divinely decadent green nail polish and nervous mannerisms and the way her magnificent, ringing voice transfigured both in the lurid glare of the Kit Kat Klub--these are images that linger long and powerfully from the film version of Cabaret. From the growing horror of Nazism in Weimar Germany, the film cut artfully to the dazzling, perverse world of the cabaret, which grotesquely parodied an even more grotesque reality. The effect was to present a society in which decent human relationships were impossible, where human contacts were uniformly debased to the level...

Author: By Julia M. Klein, | Title: Divine Decadence and Dollars | 5/13/1976 | See Source »

...shadow of the movie, even though play and film are structurally distinct. The subplots are completely different, the main plot varies in significant details, and, most important, the film version transplanted virtually all the music to the cabaret sequences, heightening the contrast between the escapism of the Kit Kat Klub and the painful drama outside. If the play suffers from the blurring of these two worlds, however, it benefits from the mere fact that it is theater--that we, the audience, are immediately present as the audience of the Kit Kat Klub and as participants in the decadence it purveys...

Author: By Julia M. Klein, | Title: Divine Decadence and Dollars | 5/13/1976 | See Source »

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