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...have the sensitivity and perspective to see artist Robert Rauschenberg [ART, Oct. 27] as the Walt Whitman of the 20th century art world? Who could better distinguish the American character of Rauschenberg's work than a critic who just completed a marathon book on our visual culture, American Visions? KIT BASQUIN Milwaukee...

Author: /time Magazine | Title: Letters: Nov. 24, 1997 | 11/24/1997 | See Source »

...message from Stomp, it should be "Do it yourself." (Using junk, household and industrial objects, by its very nature, challenges the issue of waste and challenges the notion of culture as being highbrow or detached," he says. "I.e., you don't have to buy a cello or a drum kit to make music...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

...acoustic set, which has been appearing in various forms throughout the summer part of the tour, began with an intriguing version of "Mercury" that had Duritz on the piano and Ben Mize on a scaled-down drum kit. Duritz introduced the set saying, "If you make people listen to something in a different way, then it's fresh." He indicated that in performing for VH1's "Storytellers," the band felt that it could speak about the meanings of its songs by playing them in a different...

Author: By Marc P. Resteghini, CONTRIBUTING WRITER | Title: Fans Out of Tune with Stellar Crows Show | 11/7/1997 | See Source »

...offered a good opportunity for the trio to show that they were a cohesive group, not just a haphazard all-star assembly. The ease with which McBride navigates his hulking instrument was immediately apparent. He laid a solid foundation for the tune as Blade tastefully used brushes on his kit alongside. Redman then hung on a high note and slid upward to mark the beginning of his solo, in which he demonstrated his full, thick tone in all registers of the instrument. It was an apt starter for the show--giving audience members a hook to appreciate the band...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Joshua Redman Trio Electrifies Crowd | 10/24/1997 | See Source »

...Blade, a chance to really come alive. Redman saw fit to change the timbre of his playing and force honks and cries from his horn. Blade got his first solo, and his rhythms seemed to pulsate through his wiry body as he manipulated his resonant and tight-sounding drum kit...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Joshua Redman Trio Electrifies Crowd | 10/24/1997 | See Source »

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