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...Kitano started the new Zatoichi by leaving his hair the decidedly unsamurai blond shade he'd recently dyed it. "I think that if I tried to imitate Katsu, then a viewer would have a lot of problems with it," says Kitano. "So I thought I should make everybody think it's a completely different thing." So what else sets Takeshi Kitano's Zatoichi apart from its 26 predecessors? The auteur explains: "Throughout the film there is a feeling of fast action at the contemporary speed of the modern film." Translation: everything from the electron-quick fights to the rapier-thin...

Author: /time Magazine | Title: Striking A New Beat | 9/8/2003 | See Source »

...film's plot is as streamlined as its combat. Zatoichi (Kitano) wanders into a village beset by gangs, one of which has hired a lethal samurai (Tadanobu Asano) to wipe out its enemies. Meanwhile, a geisha assassin and her brother, a female impersonator, seek revenge on the criminals who slaughtered their family. Zatoichi ends up in the middle. This is a film designed to get to the payoff as fast as possible, and that payoff is bloodier than a hematology convention. Hyperviolence is not new to the Zatoichi oeuvre, but Kitano does Katsu one, two or 11 better. To Kitano...

Author: /time Magazine | Title: Striking A New Beat | 9/8/2003 | See Source »

...Kitano has also shifted the spotlight further away from the title character, giving his co-star, Asano, much of the film's focus. Japan's king of cool, Kitano, and its crown prince of cool, Asano, had already served in a samurai drama of a different sort, Nagisa Oshima's gay-themed Gohatto. Unhappy with Asano's fighting scenes in that film, Kitano put the indie icon through three months of extra sword training before filming began. "I put a lot of energy into Asano's scenes," says Kitano. "I gave him all the cool ways of withdrawing his sword...

Author: /time Magazine | Title: Striking A New Beat | 9/8/2003 | See Source »

...Kitano's boldest update involves the film's music, replacing traditional festive dance with hip-hop-influenced tap routines. "Takeshi has a special feeling for tap music," says Hideboh, the film's choreographer and leader of the fusion tap group the Stripes...

Author: /time Magazine | Title: Striking A New Beat | 9/8/2003 | See Source »

...dance troupe appears throughout the movie as jiving peasants, providing a pulse of human percussion. The result is something like the Broadway show Stomp transplanted to Edo-era Japan. It's Kitano's way of embedding the dynamic heartbeat of the modern inside the body of the traditional?a hallmark of his recent work...

Author: /time Magazine | Title: Striking A New Beat | 9/8/2003 | See Source »

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