Word: kitchener
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Dates: during 1980-1989
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...Risk is also a carefully composed work of fiction. From its first lines ("There is a wasp in the kitchen. Drawn by the smell of apricot jam, lazy from the morning's heat, the wasp hovers above the children"), Hoffman establishes a rhythm of inevitability. She sketches a bosky world in Massachusetts, populates it with wholesome families and engaging eccentrics. One young woman with modest paranormal powers seems like a character prewired for film directors who might want to plug in an occult package. But in the book she represents a sensitivity to mysteries of life and death that Amanda...
Latin America offers passion. Latin America has a life -- big clouds, unambiguous themes, tragedy, epic -- that the U.S., for all its quality of life, yearns to have. Latin America offers an undistressed leisure, a crowded kitchen table, even a full sorrow. Such is the urgency of America's need that it reaches right past a fledgling, homegrown Hispanic-American culture for the darker bottle of Mexican beer, for the denser novel of a Latin American master...
Leon Malard sat at his small kitchen table, covered with a blue plastic cloth, and with strong, thick fingers stroked the stubble on his chin. His black hair was cropped to its roots, his glasses coated at the edges with the grit from a morning of tilling in his stunted cornfield, which hugs a bluff above the Missouri River between Bismarck and Cannon Ball...
Leon Malard at his kitchen table smiled a good open smile when he talked about Sioux Indians being called to Ohio to do a rain dance, priests shaking holy water on farm fields and prayer gatherings in sale barns. Show business. The forces out there are so huge and incomprehensible, you don't waste energy trying to stop them in their tracks. You hunker down, you survive. Malard has for 60 years, and his dad before him, and before that his grandfather, who homesteaded on the Missouri River...
...cartoon before the movie" is how the movie begins. As you settle into your seat, the Maroon cartoon studio logo flares onto the screen, announcing Who Framed Roger Rabbit, starring Baby Herman and Roger Rabbit. For a few minutes of inventive mayhem, the infant crawls toward every lethal kitchen appliance while his harried hare of a baby-sitter works frantically to keep things from blowing up. It's the comedy of anticipated disaster -- the nightmare anxiety that propelled so many of Avery's slapstick tragedies -- and it works just fine. Too fine: the opening cartoon upstages the movie that emerges...