Word: kitsched
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...called pompier art of the Third Empire. (Pompier means "fireman," and the allusion is to the heroic nudes with Greek helmets, resembling the casques of the Paris fire brigade, that infested beaux arts academic painting.) Cachin and her colleagues have dredged up an astounding panoply of period kitsch, from 1850s imitators of Ingres through Bouguereau to what must be the most obsessively pederastic elocution in all art history, Jean Delville's School of Plato, featuring Alcibiades and his willowy friends yearning like blessed damsels at the lucky philosopher in a landscape full of wisteria and white peacocks. Woven through these...
...view-fromthe-boardroom cityscapes of Berlin, London and New York that he turned out in some profusion for Axel Springer and other bigwigs of the postwar boom years. But to say that his talent collapsed like Chagall's is quite untrue. Chagall painted nothing but cloying ethnic kitsch for the last 30 years of his life. But in some of Kokoschka's last paintings there is the real sense of an old man's rage and an old man's freedom -- the sort of deliberate clumsiness by a highly gifted draftsman, the sense of the ludicrous posture, the gross energy...
...this, handled right, might have provoked a passable show. But Schwarz seems to think that alchemy is a major secret text of modern art as well, though all he can find to prove it is a mass of postsurrealist kitsch. A few good things come up in the net, but the show is a tendentious mishmash...
...Retton and Hank Aaron parade around the stadium. There will be a gymnastics exhibition and skating by Peggy Fleming, Dorothy Hamill and Scott Hamilton. A planned tug-of-war between the New York Jets and Giants football teams seems to have been a casualty of David Wolper's unpredictable kitsch detector, which has been on alert since recent criticisms of the weekend's rampant schlockiness...
Almost immediately, however, the intellectuals' appreciation of some pop began to lose its prickly ironic edge. Robert Venturi, the father of architectural postmodernism, was not joking in Learning From Las Vegas (1972), his analysis-cum-celebration of neon, billboards and America's plebeian pop architecture. Soon the creators of kitsch were sophisticated enough to make fun of themselves even as they were creating new kitsch. The producers of TV's Batman (1966-68) played up the primary-color silliness for camp effect. "Charlie's Angels was great camp," says the show's co-producer, Aaron Spelling, "and the audience accepted...