Word: klavier
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Three of the four compositions on the program were each highlights, and this suggests how remarkable the concert was. Understandably, the Bach Society Orchestra playing Bach's fourth Klavier concerto in A major was a fine show. Luise Vosgerchian, soloist and preceptor of music in the Department of Music, seized the concerto firmly in hand and gave it an energetic and clear performance. Miss Vosgerchian and conductor Layton worked together very closely; the taperings at the ends of phrases and changes in dynamics, for example, fitted together like fine-tolerance metal work. Although the second movement (Larghettoo) may have been...
Bach's Sonata No. 3 in E major for violin and klavier opened the program. In the classic manner, the gamba, with its forest of tuning pegs, doubled the continuo of the harpsichord. The trio maintained a nice balance; its members played to each other. But slippery intonation and lack of clarity marred the violin's performance, and the harpsichord indulged in unjustified rubatos and changes of tempi...
...parts of the Sonata No. 2 in D major for gamba and klavier, the double-manualed harpsichord sounded as if it were sporadically unwinding. It is no criticism of the gamba to observe that it lacks intensity in the ranges where the cello would have it, but the notes themselves seemed lackadaisically defined in the fast passages, and the general shape of the concluding fast movement was unclear...
...Prelude, Aria et Finale, Cesar Franck Cloches a travers les feuilles, Debussy Poissons d'or, Debussy "General Lavine" (eccentric), Ravel Jeu d'eaux, Ravel El Albaicin, from "Iberia," Ravel "Le vieux monsieur," from "Un coin d'une ruelle sombre," Carl Engel Baren Tang, Bela Bartok No. II from "Drei Klavier-stueke," Opus 11, Arnold Schoenberg Wild Men's Dance, Leo Ornstein Scherzo in B-flat minor, Chopin Impromptu in F-sharp major, Chopin Arabesques on Johann Strauss's "Blue Danube Waltzes," Schulz-Emler...
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