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Word: klee (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Perambulator. Paul Klee has not been without honor in Europe or the U. S, At the world-famed Bauhaus directed by Architect Walter Gropius at Weimar, later Dessau, Germany, Klee was for nine years one of three artist-instructors in painting.*Like Picasso and de Chirico, he was tapped by the surrealists in the '20's but stayed outside the club. In 1930 Manhattan's Museum of Modern Art gave him the first big U. S. exhibition. When Germany became inclement to modern art five years ago, stern-faced, gentle Fantasist Klee settled near his birthplace...

Author: /time Magazine | Title: Art: Ideas & Illuminations | 4/11/1938 | See Source »

...Klee's methods of drawing has been summed up by Critic Herbert Read as "taking a walk with a line." This is an accurate description not only of his procedure but sometimes of his scale: the expanse of paper or canvas being imagined as a field of any dimension up to, and possibly including, infinity. It is Perambulator Klee's frequent achievement not only to imagine such a field for himself but to open it up somehow to the spectator. One water color in last week's show, Bird, Ph Feeds Ur with the Snake, at first...

Author: /time Magazine | Title: Art: Ideas & Illuminations | 4/11/1938 | See Source »

Many of Artist Klee's paintings were more eerie than these, e.g., On the Lawn (see cut) with its lemon-yellow stratified spectre children. Many of his recent works were more abstract, taking a line walking for its own sake, using hieroglyphic bands, patterns of color values, simplifications borrowed from paleolithic cave drawings or the art of children. If a few of such Klee ideas seemed oversubtle, there was no lack of ideas...

Author: /time Magazine | Title: Art: Ideas & Illuminations | 4/11/1938 | See Source »

...lithograph by Abstractionist Paul Klee...

Author: /time Magazine | Title: Art: Stone Stuff | 10/18/1937 | See Source »

...people. There are also mystic lozenges, snaky lines and blobs which apparently are respectively symbols for mountain, rain and root. For briskness of conception, facility of line, the Mtoko paintings struck critics as being plastics of considerable honest merit in themselves. A small show of advanced abstractionists like Klee, Miro, Arp and Masson was added to the exhibit by Director Barr to show that some living painters are not very distant in spirit from the Mtoko masters...

Author: /time Magazine | Title: Art: Dawn Pictures | 5/10/1937 | See Source »

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