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Word: klee (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Chuck Mangione's "Klee Impressions," Everett brought on three additional flutes plus an in-vogue soprano saxophone performance by the versatile Sacks. The mellifluous soloist offset some sluggish French horn work, and left a sweet taste in the listeners' mouths during intermission...

Author: By James Cramer, | Title: Up-Beat | 5/6/1974 | See Source »

Harvard University Jazz Band. The Jazz Band will offer a free concert including Chick Corea's "Spain" and Chuck Mangione's "Klee Impressions," featuring trombonists Carl Fontana and Phil Wilson. Arrangements by other top jazz bands are on the bill. Monday, April 29 at Sanders Theater, 8:15 p.m., free...

Author: By Peter M. Shane, | Title: Rock and Folk | 4/25/1974 | See Source »

...joke to the comic actor. A painter for 40 years, Zero had his first one-man show of more than 60 recent paintings and collages in Manhattan. "Let the paintings speak for themselves," he declared. And so they do, but in the accents of modern masters like Dubuffet, Klee and Miró. Zero's authentic voice can best be savored these days as he cavorts in a national touring company production of A Funny Thing Happened on the Way to the Forum. Currently: Valley Forge...

Author: /time Magazine | Title: People, Oct. 29, 1973 | 10/29/1973 | See Source »

...imaginative characters. His line has a verve and sophistication which he has been learning from the best in "conventional" art for over thirty years. (The Inspector is his sixth book since 1945.) He has clearly learned a lot from Grosz's fat generals and Berlin prostitutes, from Paul Klee's wandering tactile line, and perhaps less noticeably, from the sketches of Picasso. The Inspector includes a number of collage drawings that resemble parodies of Cubist still lives -- tables overflowing with anonymous, fragmented objects -- that demonstrate this source particularly well...

Author: By Phil Patton, | Title: Masks of the Literal | 5/3/1973 | See Source »

...Like Klee's plant forms, Waldenburg's stay close to geometrical shape--and thus close to the ambiguous line between living and non-living--and are set in regular rows. The light which makes them grow is too diffuse and dull to be sunlight; the forms seem to be machined flat in a manner that is occasionally reminiscent of Purism and its lathed still-lives...

Author: By Phil Patton, | Title: Greening Up | 2/7/1973 | See Source »

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