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...yellow cow by German Expressionist Franz Marc looks like something out of a child's nursery rhyme. Small Seurat peasants bend to their toil near some child­like magic created by Paul Klee and a few austere and haunting landscapes by Lyonel Feininger. And near them hang the museum's latest acquisitions-two perfect chrysanthemums, one in pencil, the other in watercolor-done by Piet Mondrian in the days before he began painting his color-laden grilles...

Author: /time Magazine | Title: Art: Fresh Old Masters | 9/8/1961 | See Source »

...store. A loner by instinct, he quit them after a year and a half, afraid that togetherness would dilute his grim, self-imposed sense of artistic mission. Similarly, he shunned the trail-blazing Blaue Reiter (Blue Rider) circle, although he had the admiration of both Wassily Kandinsky and Paul Klee, who called Nolde "a primeval soul, a daemon of the earthly region...

Author: /time Magazine | Title: Art: The Music of Color | 7/28/1961 | See Source »

...Divinity Ave.). The public is Divinity Ave.), The public is invited free of charge, and lunches may be brought. Each Wednesday the selection is related to a work of art. Next week: Mozard, Cost fan tutte; Hindemith, Mathis der Maler (Wed.); Schuller's Seven Studies on Themes by Paul Klee (Wed.): Stravinsky's Apollon Musagete; and Schubert's Octet...

Author: NO WRITER ATTRIBUTED | Title: Summer Notes | 7/20/1961 | See Source »

...Blakeslee's Hildy provides the best moments of the frenzied dash around the city which follows. A female cabby who run her man down, Miss Blakeslee extracts every heaping tablespoon of suggestiveness from "I Can Cook Too," and fills her role with splendidly wrought bits. Miss Turnstiles (Mary Ellen Klee) suffers from one of the handicaps of the boy-loses-girl gambit: she's lost for most of the second act. It's a shame, too, as she is a superb a dancer with a pleasant (if small) voice...

Author: By James A. Sharaf, | Title: On the Town | 4/20/1961 | See Source »

...traditional (and most delightfully Radcliffe) part of the show, the Radcliffe chorus line, made its annual appearance. These attractive young ladies did exactly what was expected of them with the coy naivete which distinguishes Radcliffe kicklines from other kicklines the world over. The graceful solo dancing of Mary Ellen Klee in the first act finale was a delight to behold, and made one wish for more of the same...

Author: By Peter E. Quint, | Title: Pal Joey | 3/11/1961 | See Source »

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