Word: klees
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Dates: during 1950-1959
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...today's audiences are rooted in their esthetic laziness. "I'd much rather sit at dinner next to one of those old ladies who tell you, 'Picasso is a fraud and Stravinsky a bore,' than beside one of those young things who rave about their Klee paintings and their Bartok quartets . . . Today Brahms can no longer be tolerated, but Rossini is very chic...
...struck Russians who at the turn of the century flocked to Munich to study painting, one of the best was Alexei Georgievich Jawlensky. In the 1920s he ranked with the more famous Russian Wassily Kandinsky, the late U.S.-born Lyonel Feininger and Swiss-born Paul Klee (TIME, Sept. 17) as a coequal in their "Blue Four" exhibits. Then he was all but forgotten...
...many women who found Jawlensky's combination of bearlike strength and artistocratic charm irresistible. She gave up painting to devote her life to promoting his work, built up her own collection to include more than 120 of Jawlensky's works, which, along with those of Klee, Kandinsky and Feininger, are now kept intact as a permanent Blue Four exhibit at the Pasadena Art Museum...
...Klee's whimsy is in the realm of fantasy but never obscurity. Turn the painting in a vertical position and the "areas of green, yellow and blue" show a self-portrait...
...look at Klee on the side...