Word: kletzsch
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Dates: during 1980-1989
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...began as a loose ensemble in the fertile musical soil of Dunster House. Dunster dwellers Weiner and Tokuno met at the house grill and soon discovered their mutual appreciation of Renaissance music. After Dunster House Resident Composer Charles Kletzsch recommended about 10 musicians who shared their interest...
...SECOND in-house selection was by Dunster's own composer-in-residence, Charles Kletzsch, whose enthusiasm and talent have long fired the house music program. It was titled 'Sonata for Piano No. 3, in F# Major', and was actually penned nearly 25 years...
Where Davidson's talent lies in the succinctly evocative, Kletzsch grants himself a freer hand over his composition, allowing the generous repetition of themes to broaden his canvas. Sometimes, as in moments during the first movement, 'moderato cantabile', the repetition tends to long-windedness; a series of triplet structures, for example, seem a bit too obvious in their last few recapitulations (especially after the piece's lovely opening, reminiscent of a Bach sarabande...
William Cohen, clarinet; Michael Lim, violin; David Jost, piano and harpsichord; Philip Robbins, guitar: Kletzsch and Paganini--Dunster House Library, Harvard...
...someone is truly a great scholar, he must be devoted to his own work, but being a creative scholar is time consuming in itself," Kletzsch says, adding that there are many more activities in the House now than there used...