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...magazine?s roster of contributors was as distinguished as any in English-language journalism. Vladimir Nabokov, John Cheever, John Updike, Irwin Shaw, William Styron, Gabriel Garcia Marquez and such cartoonists as Dedini, Barsotti, Kliban: they could be the front table at a New Yorker banquet. Skeptics suspected that Hefner got the second-best from the best, or work the New Yorker had rejected, and that Playboy settled for B material from the A team in order to appropriate their literary celebrity. Some folks in publishing had a dismissive term for Playboy fiction: ?shit from names...

Author: /time Magazine | Title: That Old Feeling: Your Grandfather?s Playboy | 1/3/2004 | See Source »

Many people believe that cats are so biologically programmed for survival in the wilderness that they cannot be trained. Asleep, a cat may resemble a throw pillow or a Kliban-style meatloaf, but, awake and hungry, the average feline, one of the most highly evolved predators in the natural world, is capable of dispatching a dozen mice at a brief sitting. Alarmingly, it tends to dawdle before administering the coup de grace. Behavioralists believe this happens because cats are programmed by a primitive, vestigial stalking mechanism. Cats toy with their prey because they may be teaching kittens to hunt...

Author: /time Magazine | Title: Milestones: 22 Years Ago In Time | 10/20/2003 | See Source »

Larson credits Don Martin of Mad magazine, George Booth of The New Yorker and B. Kliban, famed for his cat cartoons, with influencing his style; his work also seems informed by the bloated grotesqueries of Gahan Wilson (Playboy, The New Yorker). Nonetheless, Larson's vision is like no other cartoonist's. If a single theme animates his work, it is that man, for all his | achievements, is just one species on earth, and not always the wisest or strongest one. His prehistoric cave dwellers and chunky matrons with beehive hairdos and sequined glasses are vulnerable and foolish, while his cows...

Author: /time Magazine | Title: Press: All Creatures Weird and Funny | 12/1/1986 | See Source »

...play, told in montage style, juxtaposes reveries by the ingratiating central couple--for example, about the pleasures of "nondirective, noncommitted, nonauthoritarian" sex--with satiric snippets depicting how that rhetoric translates into the raunch and squalor of an anonymous sexual underworld. The supporting cast all play multiple roles; Ken Kliban and Lily Knight are especially effective as an AIDS victim's estranged straight brother and tolerant chum. Hoffman has written rich, lyric dialogue for the leads: a budding writer (Jonathan Hogan) who is diagnosed as having the disease, and a former lover (Jonathan Hadary) who takes him back...

Author: /time Magazine | Title: Theater: A Common Bond of Suffering | 5/13/1985 | See Source »

...Since Kliban, it has been shown that cats are just as hilarious-and profitable-when they are dead. English-educated Simon Bond, 34, a bachelor who lives in Phoenix and London, was encouraged to publish 101 Uses for a Dead Cat by his friend Terry Jones, a Monty Python regular. Deceased felines in Bond's black humor pose as toast racks, pencil sharpeners and potholders. Although the book has sold 765,000 copies in the U.S., the mood is too indigo for some ailurophiles. Says A.S.P.C.A.'S John Kullberg: "Coming upon the book is akin to being...

Author: /time Magazine | Title: Living: Those Catty Cartoonists | 12/7/1981 | See Source »

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