Word: klines
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Dates: during 1960-1969
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...march culminated in a rally outside the Federal Building, with speakers John Pennigton' 66, national secretary ofSDS; Cindy Kline of the Cambridge Peace and Freedom Party: and Sargeant...
...march, conceived at a September 14 sub-regional SDS convention, will culminate in a rally with three speakers: Cindy Kline, the Cambridge Peace and Freedom Party's candidate for City Council; John Pennington, SDS national secretary; and Sargent. This wing of SDS is opposed to the Moratorium, Sargent said, "but will participate in it in order to win people over to a better position...
...demonstrates, the major figures were highly individual artists. Perhaps their only unifying characteristic was exuberance-exuberance of size, exuberance of gesture. Instead of the carefully calculated stroke, there was the swirl of Pollock's drip paintings, the splattered brilliance of Willem de Kooning's terrifying women. Franz Kline's huge black-on-white compositions showed no more sophistication than a Chinese ideograph, but they conveyed the energy of the man that made them-and commanded a whole wall rather than a corner of a scroll. The smoldering color clouds of Mark Rothko drew a viewer in like...
...Nelson Rockefeller's holdings are so vast and his tastes so far-ranging that this month three Manhattan museums will be devoting much of their special display space to parts of his collections-which still puts no pressure on his reserves, or even denudes his private walls. A Kline may have had to be substituted for a Pollock here and there, but a rotation of pictures is often rewarding, as every housewife knows. For art lovers, the result is an unprecedented look at many treasures that have heretofore been visible only to friends dining at the Fifth Avenue apartment...
...painterly tradition derives from Pollock, De Kooning and Kline, and Frankenthaler can be called an heiress of it. She might also claim to be something of a pioneer. In 1952, when she was only 23, she developed her "stain technique" as an extension of Jackson Pollock's method of skeining swirls of glossy Duco enamel onto a canvas spread upon the floor. Helen thinned her paint with turpentine and poured it onto the unprimed canvas, so that the paint sank in. The marks of the pouring or brush disappeared, canvas and color became one and the same. The result...